Chain of Decisions in Musical Performance

Mostrar todas las versiones(2)

In musical performance there are countless and different instances of decision-making (internal/external to the performer) or links that determine different interpretive sound results. This research shows the creation of a chain of decisions –this one can vary according to the musical genre and its...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Pitich, Mauricio Andrés
Formato: Artículo revista
Lenguaje:Inglés
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7484
Aporte de:
El oído pensante de Universidad de Buenos Aires
id I28-R250-article-7484
record_format ojs
spelling I28-R250-article-74842020-11-10T00:30:13Z Chain of Decisions in Musical Performance Cadena de decisiones en la performance musical Cadeia de decisões na performance musical Pitich, Mauricio Andrés In musical performance there are countless and different instances of decision-making (internal/external to the performer) or links that determine different interpretive sound results. This research shows the creation of a chain of decisions –this one can vary according to the musical genre and its artistic objective– which is based on communication/production processes conceived by Jean-Jacques Nattiez, Richard Schechner, Guerino Mazzola, Nicholas Cook, Antoine Hennion and Juan Pablo González. The main objectives are to describe and thoroughly explain these processes to avoid loss of information when analyzing the performances (and their contexts) and, by doing so, improve the understanding of the individual sound results achieved by performers. All these aspects are approached from the perspective of interdisciplinary performance studies. En la interpretación musical existen innumerables y diferentes tomas de decisiones  (internas/externas al intérprete) o eslabones que determinan resultados sonoros interpretativos distintos unos de otros. Esta investigación muestra la creación de una cadena de decisiones, variable según el género musical y su objetivo artístico, basada en procesos de comunicación/producción trabajados por Jean-Jacques Nattiez, Richard Schechner, Guerino Mazzola, Nicholas Cook, Antoine Hennion y Juan Pablo González. Los objetivos principales son describir y detallar dichos procesos para evitar la pérdida de información a la hora de analizar las interpretaciones (y su contexto) y mejorar la comprensión de los resultados sonoros individuales que logran los intérpretes. Todos estos aspectos son abordados desde la mirada de los estudios nterdisciplinarios de la performance. Na performance musical, existem inúmeras e diferentes instâncias de decisão (internas/externas ao performer) ou conexões que determinam diferentes interpretações do resultado sonoro). Esta pesquisa mostra a criação de uma cadeia de decisões, variável de acordo com o gênero musical e seu objetivo artístico, que se baseia em processos de comunicação/produção trabalhados por Jean-Jacques Nattiez, Richard Schechner, GuerinoMazzola, Nicholas Cook, Antoine Hennion e Jean-Jacques Nattiez e Juan Pablo González. Os  principais objetivos são descrever e detalhar esses processos para evitar a perda de informações ao analisar as performances (e os seus contextos) e, consequentemente, melhorar a compreensão dos resultados sonoros individuais alcançados pelos performers. Todos esses aspectos são abordados na perspectiva interdisciplinar dos estudos em performance. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-08-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7484 El oído pensante; Vol. 6 Núm. 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; Vol 6 No 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; v. 6 n. 2 (2018): Agosto 2018 - Enero 2019 2250-7116 eng http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7484/6696
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-250
container_title_str El oído pensante
language Inglés
format Artículo revista
author Pitich, Mauricio Andrés
spellingShingle Pitich, Mauricio Andrés
Chain of Decisions in Musical Performance
author_facet Pitich, Mauricio Andrés
author_sort Pitich, Mauricio Andrés
title Chain of Decisions in Musical Performance
title_short Chain of Decisions in Musical Performance
title_full Chain of Decisions in Musical Performance
title_fullStr Chain of Decisions in Musical Performance
title_full_unstemmed Chain of Decisions in Musical Performance
title_sort chain of decisions in musical performance
description In musical performance there are countless and different instances of decision-making (internal/external to the performer) or links that determine different interpretive sound results. This research shows the creation of a chain of decisions –this one can vary according to the musical genre and its artistic objective– which is based on communication/production processes conceived by Jean-Jacques Nattiez, Richard Schechner, Guerino Mazzola, Nicholas Cook, Antoine Hennion and Juan Pablo González. The main objectives are to describe and thoroughly explain these processes to avoid loss of information when analyzing the performances (and their contexts) and, by doing so, improve the understanding of the individual sound results achieved by performers. All these aspects are approached from the perspective of interdisciplinary performance studies.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7484
work_keys_str_mv AT pitichmauricioandres chainofdecisionsinmusicalperformance
AT pitichmauricioandres cadenadedecisionesenlaperformancemusical
AT pitichmauricioandres cadeiadedecisoesnaperformancemusical
first_indexed 2023-06-27T21:04:14Z
last_indexed 2023-06-27T21:04:14Z
_version_ 1769891277548027904

Ejemplares similares