Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video
Tefla Madlouma is a song by one of the greatest Saharawi artists, Mariem Hassan. In this song she relates the abuse suffered by a young girl, transforming an individual violence into a metaphor of the conflict ongoing since the Seventies in Western Sahara between Frente Polisario and the Moroccan Ar...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2023
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| Materias: | |
| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12572 |
| Aporte de: |
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El oído pensante |
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Artículo revista |
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Saharawis Mariem Hassan music video audiovisual ethnomusicology collaborative ethnography Saharauis Mariem Hassan etnomusicología audiovisual etnografía colaborativa video musical saharauis Mariem Hassan vídeo musical etnomusicologia audiovisual etnografia colaborativa |
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Saharawis Mariem Hassan music video audiovisual ethnomusicology collaborative ethnography Saharauis Mariem Hassan etnomusicología audiovisual etnografía colaborativa video musical saharauis Mariem Hassan vídeo musical etnomusicologia audiovisual etnografia colaborativa Ranocchiari, Dario Romero Luque, Jara Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
| topic_facet |
Saharawis Mariem Hassan music video audiovisual ethnomusicology collaborative ethnography Saharauis Mariem Hassan etnomusicología audiovisual etnografía colaborativa video musical saharauis Mariem Hassan vídeo musical etnomusicologia audiovisual etnografia colaborativa |
| author |
Ranocchiari, Dario Romero Luque, Jara |
| author_facet |
Ranocchiari, Dario Romero Luque, Jara |
| author_sort |
Ranocchiari, Dario |
| title |
Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
| title_short |
Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
| title_full |
Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
| title_fullStr |
Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
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Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video |
| title_sort |
tefla madlouma. female resilience and saharawi cultural memory through the production of an ethnographically grounded music video |
| description |
Tefla Madlouma is a song by one of the greatest Saharawi artists, Mariem Hassan. In this song she relates the abuse suffered by a young girl, transforming an individual violence into a metaphor of the conflict ongoing since the Seventies in Western Sahara between Frente Polisario and the Moroccan Army. Tefla Madlouma is considered especially significant for Saharawi women, and it has been chosen by a group of activists of the collaborative ethnography project Sahara Soundscapes for producing a music video. The group included Saharawi and non-Saharawi activists, ethnographers and communication professionals. Beyond its possible contribution to Saharawi struggle, the collaborative and creative process of video-making has been an opportunity to reflect together on women’s role in Saharawi society and culture. In this paper we describe this process, from the recording of a cover of the original song to the final cut, reflecting also on the use, in the collaborative ethnography of musical practices, of “ethnographically grounded music videos”. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
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2023 |
| url |
http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12572 |
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I28-R250-article-125722025-04-14T20:02:52Z Tefla Madlouma. Female Resilience and Saharawi Cultural Memory through the Production of an Ethnographically Grounded Music Video Tefla Madlouma. Resiliencias femeninas y memoria cultural saharaui a través de la realización de un vídeo musical etnográficamente fundamentado Tefla Madlouma. Resiliências femininas e memoria cultural saharaui por medio da realização dum vídeo musical etnograficamente fundamentado Ranocchiari, Dario Romero Luque, Jara Saharawis Mariem Hassan music video audiovisual ethnomusicology collaborative ethnography Saharauis Mariem Hassan etnomusicología audiovisual etnografía colaborativa video musical saharauis Mariem Hassan vídeo musical etnomusicologia audiovisual etnografia colaborativa Tefla Madlouma is a song by one of the greatest Saharawi artists, Mariem Hassan. In this song she relates the abuse suffered by a young girl, transforming an individual violence into a metaphor of the conflict ongoing since the Seventies in Western Sahara between Frente Polisario and the Moroccan Army. Tefla Madlouma is considered especially significant for Saharawi women, and it has been chosen by a group of activists of the collaborative ethnography project Sahara Soundscapes for producing a music video. The group included Saharawi and non-Saharawi activists, ethnographers and communication professionals. Beyond its possible contribution to Saharawi struggle, the collaborative and creative process of video-making has been an opportunity to reflect together on women’s role in Saharawi society and culture. In this paper we describe this process, from the recording of a cover of the original song to the final cut, reflecting also on the use, in the collaborative ethnography of musical practices, of “ethnographically grounded music videos”. Tefla madlouma es una canción de Mariem Hassan, una de las grandes artistas saharauis. En ella Hassan relata la violencia sufrida por una jóven, transformando un abuso individual en una metáfora del conflicto en curso desde los años 1970 en el Sahara Occidental, que ve enfrentados el Frente Polisario y las fuerzas armadas marroquíes. Considerada particularmente significativa por las mujeres saharauis, Tefla madlouma ha sido elegida por un grupo de activistas del proyecto de etnografía colaborativa Sahara Soundscapes (que incluye las autoras de este texto) para realizar un videoclip musical colectivo. Más allá de su posible aporte a la causa, el proceso creativo y colaborativo que ha visto implicadas a activistas saharauis y no saharauis, etnógrafas y profesionales de la comunicación, ha constituido una ocasión para reflexionar conjuntamente sobre el papel de las mujeres y de su música en la sociedad y cultura saharaui. En este artículo describimos este proceso, desde la grabación de una cover del tema original hasta el montaje final, reflexionando también sobre el uso, en la etnografía colaborativa de las prácticas musicales, de los “vídeos musicales etnográficamente fundamentados”. Tefla madlouma é o nome de uma canção de Mariem Hassan, umas das grandes artistas saharauis. Nesta canção, Hassan relata a violência sofrida por uma criança, transformando um abuso individual numa metáfora do conflito em curso desde os anos de 1970 no Sahara Ocidental, no qual a Frente Polisario e as Forças Armadas Marroquinas se confrontam. Considerada particularmente significativa pelas mulheres saharauis, Tefla madlouma foi eleita por um grupo de ativistas do projeto de etnografia colaborativa Sahara Soundscapes (que inclui autoras deste texto) para realizar um videoclip coletivo. Para além da sua possível contribuição para a causa, o processo criativo e colaborativo que envolveu ativistas saharauis e não saharauis, etnógrafas e profissionais da comunicação, constituiu uma oportunidade para refletir conjuntamente sobre o papel das mulheres na sociedade e na cultura saharaui. Neste artigo descrevemos este processo, desde a gravação de um cover do tema original até à montagem final, refletindo ainda sobre o uso da etnografia colaborativa das práticas musicais e dos “vídeos musicais etnograficamente fundamentados”. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023-09-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12572 10.34096/oidopensante.v11n2.12572 El oído pensante; Vol. 11 Núm. 2 (2023): Octubre, 2023 - Marzo 2024 El oído pensante; Vol 11 No 2 (2023): Octubre, 2023 - Marzo 2024 El oído pensante; v. 11 n. 2 (2023): Octubre, 2023 - Marzo 2024 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12572/11858 Derechos de autor 2023 El oído pensante |