From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures

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The coup d’état perpetrated against Juan Domingo Perón in 1955 at the hands of theself-proclaimed “Liberating Revolution” is the condition of exile that two Peronist writers and militants must face: Alicia Eguren and Aurora Venturini. If political violencebreaks out in 1955, in 1976 the last militar...

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Autor principal: Fernández, Nancy
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Materias:
writing, exile, politics, memory.
escritura, exilio, política, memoria.
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/16392
Aporte de:
El matadero de Universidad de Buenos Aires
id I28-R249-article-16392
record_format ojs
spelling I28-R249-article-163922024-12-13T15:32:35Z From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures Del 55 al 76. Alicia Eguren, Aurora Venturini y las figuraciones de la disrupción histórica Fernández, Nancy writing, exile, politics, memory. escritura, exilio, política, memoria. The coup d’état perpetrated against Juan Domingo Perón in 1955 at the hands of theself-proclaimed “Liberating Revolution” is the condition of exile that two Peronist writers and militants must face: Alicia Eguren and Aurora Venturini. If political violencebreaks out in 1955, in 1976 the last military dictatorship does not allow them toreturn to Argentine. In Eguren’s case, her work ends abruptly with her kidnapping andsubsequent disappearance; Venturini, on the other hand, continued writing until an oldage that, belatedly, glorified her. But beyond deadlines and durations, there is a trait thatboth works have in common, and that is the silence or reserve that surrounded them likean impure and distrustful aura. Thus, the names of Eguren and Venturini rest on textsthat have barely been read or have been directly excluded from the systematizationsof the history of Argentine literature. Our reading hypothesis claims that if politics wasone of the reasons for marginalization, the form and motives of their writings contributedto forging a silence that critics and academia chose not to confront. Catholic andnationalist idealism in one, obscene monstrosity in the other: two poetics that escapeclassifications and categories, both aesthetic, ideological and cultural. El golpe de estado perpetrado contra Juan Domingo Perón en 1955 a manos dela autodenominada “Revolución Libertadora” es la condición del exilio que debenenfrentar dos escritoras y militantes peronistas: Alicia Eguren y Aurora Venturini. Si laviolencia política irrumpe en el 55, en 1976 se abre el escenario de la última dictaduramilitar, cuyo designio siniestro no les permite la vuelta a la Argentina. En el caso deEguren, su trabajo concluye abruptamente con su secuestro y posterior desaparición;Venturini, por su parte, continúa escribiendo hasta una vejez que, tardíamente, laglorifica. Pero, más allá de plazos y duraciones, hay un rasgo que ambas obras tienenen común: el silencio o la reserva que las rodeó como un aura impura y desconfiada.Así, los nombres de Eguren y Venturini reposan en textos que apenas han sido leídoso que han sido directamente excluidos de las sistematizaciones de la historia de laliteratura argentina. Nuestra hipótesis de lectura sostiene que, si la política fue una delas razones de la marginación, la forma y los motivos de sus escrituras contribuyerona forjar un silencio que la crítica y la academia eligieron no enfrentar. El idealismocatólico y nacionalista en una, la monstruosidad obscena en la otra: dos poéticas queescapan a clasificaciones y categorías, tanto estéticas como ideológicas y culturales. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024-12-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/16392 10.34096/em.n18.16392 Revista Crítica de Literatura Argentina. El Matadero; Núm. 18 (2024) 2683-9687 0329-9546 spa http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/16392/13724 Derechos de autor 2024 Revista Crítica de Literatura Argentina. El Matadero
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-249
container_title_str El matadero
language Español
format Artículo revista
topic writing, exile, politics, memory.
escritura, exilio, política, memoria.
spellingShingle writing, exile, politics, memory.
escritura, exilio, política, memoria.
Fernández, Nancy
From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
topic_facet writing, exile, politics, memory.
escritura, exilio, política, memoria.
author Fernández, Nancy
author_facet Fernández, Nancy
author_sort Fernández, Nancy
title From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
title_short From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
title_full From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
title_fullStr From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
title_full_unstemmed From 1955 to 1976. Alicia Eguren, Aurora Venturini, and Historic Disruption Figures
title_sort from 1955 to 1976. alicia eguren, aurora venturini, and historic disruption figures
description The coup d’état perpetrated against Juan Domingo Perón in 1955 at the hands of theself-proclaimed “Liberating Revolution” is the condition of exile that two Peronist writers and militants must face: Alicia Eguren and Aurora Venturini. If political violencebreaks out in 1955, in 1976 the last military dictatorship does not allow them toreturn to Argentine. In Eguren’s case, her work ends abruptly with her kidnapping andsubsequent disappearance; Venturini, on the other hand, continued writing until an oldage that, belatedly, glorified her. But beyond deadlines and durations, there is a trait thatboth works have in common, and that is the silence or reserve that surrounded them likean impure and distrustful aura. Thus, the names of Eguren and Venturini rest on textsthat have barely been read or have been directly excluded from the systematizationsof the history of Argentine literature. Our reading hypothesis claims that if politics wasone of the reasons for marginalization, the form and motives of their writings contributedto forging a silence that critics and academia chose not to confront. Catholic andnationalist idealism in one, obscene monstrosity in the other: two poetics that escapeclassifications and categories, both aesthetic, ideological and cultural.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/16392
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first_indexed 2025-02-17T23:16:08Z
last_indexed 2025-02-17T23:16:08Z
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