Dark precursor, Panesi
The adverse forces (both to and from narration) which are present in the title La seducción de los relatos (2018) designate the equivoque in which Jorge Panesi reads a controversial area of today’s literary criticism in Argentina, a dynamic that at the same time allows him to outline its historical...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13107 |
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I28-R249-article-13107 |
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I28-R249-article-131072023-07-26T12:20:31Z Dark precursor, Panesi Precursor oscuro, Panesi Donato, Elena Jorge Panesi Argentinian literary criticism polemics narration temporality Jorge Panesi crítica argentina polémicas relato temporalidad The adverse forces (both to and from narration) which are present in the title La seducción de los relatos (2018) designate the equivoque in which Jorge Panesi reads a controversial area of today’s literary criticism in Argentina, a dynamic that at the same time allows him to outline its historical matrix. In its ambiguity, “narration” names the current form of a typical polarity within the expansive movement of Argentinian criticism: literature and politics. The intensity of this genealogy is revealed in the resonances of this paradoxical movement, that make visible a self-consciousness of criticism, and have as a condition Panesi’s own method of criticism, a constructive procedure with time as an operator: the critical ethics of irony. Las fuerzas adversas (hacia y desde el relato) que se encuentran en el título La seducción de los relatos (2018) designan el equívoco en el cual Jorge Panesi lee una región polémica del presente de la crítica literaria en Argentina, una dinámica con la que a la vez perfila su matriz histórica. “Relato” nombra, en su equivocidad, la forma actual de la polaridad propia del movimiento expansivo de la crítica argentina: literatura y política. Esta genealogía revela su intensidad en las resonancias de ese movimiento paradojal, que hacen visible una consciencia de sí de la crítica y tienen como condición el estilo de pensamiento crítico de Panesi, un procedimiento constructivo cuyo operador es el tiempo: la ética crítica de la ironía. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13107 10.34096/em.n15.13107 El Matadero. Revista Crítica de Literatura Argentina; Núm. 15 (2021) 2683-9687 0329-9546 spa http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13107/11676 http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13107/11682 |
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Universidad de Buenos Aires |
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I-28 |
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R-249 |
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El matadero |
| language |
Español |
| format |
Artículo revista |
| topic |
Jorge Panesi Argentinian literary criticism polemics narration temporality Jorge Panesi crítica argentina polémicas relato temporalidad |
| spellingShingle |
Jorge Panesi Argentinian literary criticism polemics narration temporality Jorge Panesi crítica argentina polémicas relato temporalidad Donato, Elena Dark precursor, Panesi |
| topic_facet |
Jorge Panesi Argentinian literary criticism polemics narration temporality Jorge Panesi crítica argentina polémicas relato temporalidad |
| author |
Donato, Elena |
| author_facet |
Donato, Elena |
| author_sort |
Donato, Elena |
| title |
Dark precursor, Panesi |
| title_short |
Dark precursor, Panesi |
| title_full |
Dark precursor, Panesi |
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Dark precursor, Panesi |
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Dark precursor, Panesi |
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dark precursor, panesi |
| description |
The adverse forces (both to and from narration) which are present in the title La seducción de los relatos (2018) designate the equivoque in which Jorge Panesi reads a controversial area of today’s literary criticism in Argentina, a dynamic that at the same time allows him to outline its historical matrix. In its ambiguity, “narration” names the current form of a typical polarity within the expansive movement of Argentinian criticism: literature and politics. The intensity of this genealogy is revealed in the resonances of this paradoxical movement, that make visible a self-consciousness of criticism, and have as a condition Panesi’s own method of criticism, a constructive procedure with time as an operator: the critical ethics of irony. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13107 |
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AT donatoelena darkprecursorpanesi AT donatoelena precursoroscuropanesi |
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2023-11-08T17:44:20Z |
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2023-11-08T17:44:20Z |
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