Dangerous relationships. Abstract art in Buenos Aires during the nineties
This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos ext...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
|
| Materias: | |
| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121 |
| Aporte de: |
| Sumario: | This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos extensive to the avant-garde that, in the first half of the 20th century, saw in the ornament an image of waste subordinated to nature, primitive and feminine. Taking these ideas as a starting point, we analyze contemporary art in relation to its conditions of production and recognition and the generation of a queer sensibility as a distinctive aspect. |
|---|