Dangerous relationships. Abstract art in Buenos Aires during the nineties

This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos ext...

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Detalles Bibliográficos
Autor principal: Lemus, Francisco
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
Materias:
Argentine art of the 90's
abstract art
modernity
queer
arte argentino de los años 90
abstracción
modernidad
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121
Aporte de:
Cuadernos de Filosofía de Universidad de Buenos Aires
id I28-R247-article-6121
record_format ojs
spelling I28-R247-article-61212020-08-03T19:01:11Z Dangerous relationships. Abstract art in Buenos Aires during the nineties Relaciones peligrosas. Arte abstracto en Buenos Aires durante los años noventa Lemus, Francisco Argentine art of the 90's abstract art modernity queer arte argentino de los años 90 abstracción modernidad queer This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos extensive to the avant-garde that, in the first half of the 20th century, saw in the ornament an image of waste subordinated to nature, primitive and feminine. Taking these ideas as a starting point, we analyze contemporary art in relation to its conditions of production and recognition and the generation of a queer sensibility as a distinctive aspect.  Este artículo analiza el desarrollo del arte abstracto en Buenos Aires durante los años noventa a partir del análisis de dos exposiciones: Crimen es ornamento (1994) y The Rational Twist (1996). Atendiendo a las características de estos proyectos curatoriales, indagamos en la construcción de un ethos moderno, extensivo a la vanguardia, que en la primera mitad del siglo XX vio en el ornamento una imagen del derroche subordinada a la naturaleza, primitiva y afeminada. Teniendo en cuenta estas ideas, abordamos la reflexión sobre las obras contemporáneas en relación a sus condiciones de emergencia y la generación de una sensibilidad queer como marca distintiva de la época.  Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017-04-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121 10.34096/cf.n69.6121 Cuadernos de filosofía; Núm. 69 (2017); 155-170 2362-485X 0590-1901 spa http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121/5409
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-247
container_title_str Cuadernos de Filosofía
language Español
format Artículo revista
topic Argentine art of the 90's
abstract art
modernity
queer
arte argentino de los años 90
abstracción
modernidad
queer
spellingShingle Argentine art of the 90's
abstract art
modernity
queer
arte argentino de los años 90
abstracción
modernidad
queer
Lemus, Francisco
Dangerous relationships. Abstract art in Buenos Aires during the nineties
topic_facet Argentine art of the 90's
abstract art
modernity
queer
arte argentino de los años 90
abstracción
modernidad
queer
author Lemus, Francisco
author_facet Lemus, Francisco
author_sort Lemus, Francisco
title Dangerous relationships. Abstract art in Buenos Aires during the nineties
title_short Dangerous relationships. Abstract art in Buenos Aires during the nineties
title_full Dangerous relationships. Abstract art in Buenos Aires during the nineties
title_fullStr Dangerous relationships. Abstract art in Buenos Aires during the nineties
title_full_unstemmed Dangerous relationships. Abstract art in Buenos Aires during the nineties
title_sort dangerous relationships. abstract art in buenos aires during the nineties
description This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos extensive to the avant-garde that, in the first half of the 20th century, saw in the ornament an image of waste subordinated to nature, primitive and feminine. Taking these ideas as a starting point, we analyze contemporary art in relation to its conditions of production and recognition and the generation of a queer sensibility as a distinctive aspect. 
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2017
url http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121
work_keys_str_mv AT lemusfrancisco dangerousrelationshipsabstractartinbuenosairesduringthenineties
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first_indexed 2023-06-27T21:01:52Z
last_indexed 2023-06-27T21:01:52Z
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