Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold

Mostrar todas las versiones(2)

This reflection aims to explore the treatments of anthropologist Tim Ingold around the concept of environment. The objective will be to give off from them a contribution towards a non-anthropocentric conception of the notion of nature. We will classify the author's proposals into two major theo...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Fagioli, Nicolás Leandro
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
Materias:
Nature, Environment, Experience, Materials, Lines
naturaleza, ambiente, experiencia, materiales, líneas.
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12107
Aporte de:
Cuadernos de Filosofía de Universidad de Buenos Aires
id I28-R247-article-12107
record_format ojs
spelling I28-R247-article-121072022-12-28T14:26:54Z Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold La naturaleza como entrelazo. Materiales, líneas y ambiente en el pensamiento de Tim Ingold Fagioli, Nicolás Leandro Nature, Environment, Experience, Materials, Lines naturaleza, ambiente, experiencia, materiales, líneas. This reflection aims to explore the treatments of anthropologist Tim Ingold around the concept of environment. The objective will be to give off from them a contribution towards a non-anthropocentric conception of the notion of nature. We will classify the author's proposals into two major theories that will structure the different sections of the work: on the one hand his "theory of materials", and on the other, his "theory of lines". In the first, we will analyze the bases that make up his conception of the environment based on the contrast between materiality vs. materials. In the second part we will analyze its so-called linealogy from three figures: knote, ground and air. From the conjunction of both theories a renewed concept of nature is derived that harmonizes with the coordinates of the new contemporary materialisms and posthumanisms. Our hypothesis is that an understanding of nature in interstitial terms is revealed in the anthropologist's proposals. More specifically, the accent is no longer placed on the relationship between a human spectator and nature as setting, but on the tension between environment and experience, both spheres conceived as mutually conforming. La presente reflexión se propone explorar los tratamientos de antropólogo Tim Ingold en torno al concepto de ambiente. El objetivo será desprender de ellos un aporte hacia una concepción no antropocéntrica de la noción de naturaleza. Clasificaremos los planteos del autor en dos grandes teorías que estructurarán las diferentes secciones del trabajo: por un lado su “teoría de los materiales”, y por el otro, su “teoría de las líneas”. En la primera analizaremos las bases que conforman su concepción del ambiente fundada en la contraposición materialidad vs. materiales. En la segunda parte analizaremos su denominada linealogía a partir de tres figuras: nudo, suelo y aire. De la conjunción de ambas teorías se deriva un concepto de naturaleza renovado que armoniza con las coordenadas de los nuevos materialismos y posthumanismos contemporáneos. Nuestra hipótesis es que en los planteos del antropólogo se trasluce una comprensión de naturaleza en términos intersticiales. Más específicamente, se pone el acento ya no en la relación entre un humano espectador y una naturaleza como escenario, sino en la tensión entre el ambiente y la experiencia, concebidas ambas esferas como mutuamente conformantes. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-11-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12107 10.34096/cf.n76.12107 Cuadernos de filosofía; Núm. 76 (2021): Enero-Junio 2362-485X 0590-1901 spa http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12107/11041 Derechos de autor 2022 Cuadernos de filosofía
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-247
container_title_str Cuadernos de Filosofía
language Español
format Artículo revista
topic Nature, Environment, Experience, Materials, Lines
naturaleza, ambiente, experiencia, materiales, líneas.
spellingShingle Nature, Environment, Experience, Materials, Lines
naturaleza, ambiente, experiencia, materiales, líneas.
Fagioli, Nicolás Leandro
Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
topic_facet Nature, Environment, Experience, Materials, Lines
naturaleza, ambiente, experiencia, materiales, líneas.
author Fagioli, Nicolás Leandro
author_facet Fagioli, Nicolás Leandro
author_sort Fagioli, Nicolás Leandro
title Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
title_short Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
title_full Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
title_fullStr Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
title_full_unstemmed Nature as intertwining. Materials, lines and environment in the thought of Tim Ingold
title_sort nature as intertwining. materials, lines and environment in the thought of tim ingold
description This reflection aims to explore the treatments of anthropologist Tim Ingold around the concept of environment. The objective will be to give off from them a contribution towards a non-anthropocentric conception of the notion of nature. We will classify the author's proposals into two major theories that will structure the different sections of the work: on the one hand his "theory of materials", and on the other, his "theory of lines". In the first, we will analyze the bases that make up his conception of the environment based on the contrast between materiality vs. materials. In the second part we will analyze its so-called linealogy from three figures: knote, ground and air. From the conjunction of both theories a renewed concept of nature is derived that harmonizes with the coordinates of the new contemporary materialisms and posthumanisms. Our hypothesis is that an understanding of nature in interstitial terms is revealed in the anthropologist's proposals. More specifically, the accent is no longer placed on the relationship between a human spectator and nature as setting, but on the tension between environment and experience, both spheres conceived as mutually conforming.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12107
work_keys_str_mv AT fagiolinicolasleandro natureasintertwiningmaterialslinesandenvironmentinthethoughtoftimingold
AT fagiolinicolasleandro lanaturalezacomoentrelazomaterialeslineasyambienteenelpensamientodetimingold
first_indexed 2023-06-27T21:02:09Z
last_indexed 2023-06-27T21:02:09Z
_version_ 1769891146276798464

Ejemplares similares