There is no inclusion without territoriality
This article reflects on the articulation of cultural policies and artistic projects for social inclusion in the province of Buenos Aires. The Cruzavías community theater group, from the Nueve de Julio city, is taken as a case, seeking to investigate the modalities of articulation between the group...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
2022
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11378 |
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I28-R246-article-113782023-05-30T17:28:55Z There is no inclusion without territoriality No hay inclusión sin territorialidad Não existe inclusão sem territorialidade Fernández, Clarisa Inés Cultural policies Social inclusion Community theater Social transformation Cruzavías Políticas culturales Inclusión social Teatro comunitario Transformación social Cruzavías Políticas culturais Inclusão social Teatro comunitário Transformação social Cruzavías This article reflects on the articulation of cultural policies and artistic projects for social inclusion in the province of Buenos Aires. The Cruzavías community theater group, from the Nueve de Julio city, is taken as a case, seeking to investigate the modalities of articulation between the group and the State based on specific cultural and social policies, which at the same time enabled and hindered the development of activities and the exploration of other areas of social life through art. Through an ethnographic approach to the object, we propose an analysis that is both historically situated and theoretically transdisciplinary, which reveals processes linked to the region’s cultural policies and participants’ subjective transformations. In this way, we seek to contribute both to the field of cultural policy studies, as well as to the perspectives that analyze processes of art, inclusion and social transformation. El presente artículo reflexiona en torno a la articulación de las políticas culturales y los proyectos artísticos de inclusión social en la provincia de Buenos Aires. Se toma como caso al grupo de teatro comunitario Cruzavías, del partido de Nueve de Julio, buscando indagar las modalidades de articulación entre el grupo y el Estado a partir de políticas culturales y sociales concretas, que permitieron, por un lado, y limitaron, por el otro, el desarrollo de actividades y la exploración de otras áreas de la vida social a través del arte. A partir de un acercamiento etnográfico al objeto, proponemos un análisis históricamente situado y teóricamente transdisciplinario, en el que se releven procesos vinculados a las políticas culturales de la región y transformaciones subjetivas de los participantes. Buscamos así aportar tanto al campo de estudios de las políticas culturales como a las perspectivas que analizan procesos de arte, inclusión y transformación social. Este artigo reflete sobre a articulação das políticas culturais e projetos artísticos de inclusão social na província de Buenos Aires, Argentina. Utlizando como caso o grupo de teatro comunitário Cruzavías, da “Festa Nueve de Julio”, se procuram pesquisar as modalidades de articulação entre o grupo e o Estado a partir de políticas culturais e sociais específicas, que permitiram, por um lado, o desenvolvimento de atividades e, pelo outro, a exploração de outras áreas da vida social através da arte. Através de uma abordagem etnográfica do objeto, propomos uma análise historicamente situada e teoricamente transdisciplinar, onde se revelam processos vinculados às políticas culturais da região e as transformações subjetivas dos participantes. Desta maneira, procuramos contribuir tanto para o campo dos estudos das políticas culturais, quanto para as perspectivas que analisam processos de arte, inclusão e transformação social. Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2022-10-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11378 10.34096/cas.i56.11378 Cuadernos de antropología social; Núm. 56 (2022): Dossier: Políticas y politizaciones en torno a las prácticas artísticas y culturales; 105-121 1850-275X 0327-3776 spa http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11378/10661 http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11378/11003 Derechos de autor 2022 Clarisa Inés Fernández Fernández https://creativecommons.org/licenses/by/4.0 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-246 |
| container_title_str |
Cuadernos de Antropología Social |
| language |
Español |
| format |
Artículo revista |
| topic |
Cultural policies Social inclusion Community theater Social transformation Cruzavías Políticas culturales Inclusión social Teatro comunitario Transformación social Cruzavías Políticas culturais Inclusão social Teatro comunitário Transformação social Cruzavías |
| spellingShingle |
Cultural policies Social inclusion Community theater Social transformation Cruzavías Políticas culturales Inclusión social Teatro comunitario Transformación social Cruzavías Políticas culturais Inclusão social Teatro comunitário Transformação social Cruzavías Fernández, Clarisa Inés There is no inclusion without territoriality |
| topic_facet |
Cultural policies Social inclusion Community theater Social transformation Cruzavías Políticas culturales Inclusión social Teatro comunitario Transformación social Cruzavías Políticas culturais Inclusão social Teatro comunitário Transformação social Cruzavías |
| author |
Fernández, Clarisa Inés |
| author_facet |
Fernández, Clarisa Inés |
| author_sort |
Fernández, Clarisa Inés |
| title |
There is no inclusion without territoriality |
| title_short |
There is no inclusion without territoriality |
| title_full |
There is no inclusion without territoriality |
| title_fullStr |
There is no inclusion without territoriality |
| title_full_unstemmed |
There is no inclusion without territoriality |
| title_sort |
there is no inclusion without territoriality |
| description |
This article reflects on the articulation of cultural policies and artistic projects for social inclusion in the province of Buenos Aires. The Cruzavías community theater group, from the Nueve de Julio city, is taken as a case, seeking to investigate the modalities of articulation between the group and the State based on specific cultural and social policies, which at the same time enabled and hindered the development of activities and the exploration of other areas of social life through art. Through an ethnographic approach to the object, we propose an analysis that is both historically situated and theoretically transdisciplinary, which reveals processes linked to the region’s cultural policies and participants’ subjective transformations. In this way, we seek to contribute both to the field of cultural policy studies, as well as to the perspectives that analyze processes of art, inclusion and social transformation. |
| publisher |
Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA |
| publishDate |
2022 |
| url |
http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11378 |
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AT fernandezclarisaines thereisnoinclusionwithoutterritoriality AT fernandezclarisaines nohayinclusionsinterritorialidad AT fernandezclarisaines naoexisteinclusaosemterritorialidade |
| first_indexed |
2023-06-27T21:00:02Z |
| last_indexed |
2023-06-27T21:00:02Z |
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