Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas

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This article is based on the reconstruction of the career of Pablo Rosquellas, a Spanish theater musician and businessman who lived in Buenos Aires between 1823 and 1831. This leads us to the objective of this work: to show how the analysis of the actions deployed by musicians and businessmen allows...

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Autor principal: Guillamon, Guillermina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
musicians
action
trajectory
musical culture
músicos
trayectoria
acción
cultura musical
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/boletin/article/view/7033
Aporte de:
Boletín del Instituto de Historia Argentina y Americana Dr Emilio Ravignani de Universidad de Buenos Aires
id I28-R245-article-7033
record_format ojs
spelling I28-R245-article-70332020-01-03T11:25:11Z Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas Músicos, acción y contexto: reconstruyendo la escena musical porteña desde la trayectoria biográfica del empresario Pablo Rosquellas Guillamon, Guillermina musicians action trajectory musical culture músicos trayectoria acción cultura musical This article is based on the reconstruction of the career of Pablo Rosquellas, a Spanish theater musician and businessman who lived in Buenos Aires between 1823 and 1831. This leads us to the objective of this work: to show how the analysis of the actions deployed by musicians and businessmen allows us to discuss a perspective that establishes the cultural practices of the Buenos Aires elite as the consequence of the modernizing and reformist actions of the Rivadavian group. In this sense, the biographical trajectory of Rosquellas allows us to displace the focus of analysis of the political program and to situate it in the dynamics of the Buenos Aires musical culture, particularly in the consolidation of opera buffa. Thus, we stress that the conformation of a modern musical scene during the period under analysis was more the result of a network of actions managed by diverse musical actors, rather than the consequence of a cultural program pre-established by the Rivadavian political power.   El presente artículo parte de la reconstrucción de la trayectoria de Pablo Rosquellas, músico y empresario teatral español que vivió en Buenos Aires entre 1823 y 1831. Este punto de partida nos conduce al objetivo del trabajo: mostrar cómo el análisis de las acciones que desplegaron músicos y empresarios permite complejizar –al tiempo que discutir– una visión que establece a las prácticas culturales de la élite porteña como la consecuencia del accionar modernizador y reformista del grupo rivadaviano. En este sentido, la trayectoria biográfica de Rosquellas nos posibilita desplazar el foco de análisis de la política rivadaviana y situarlo en la dinámica de la cultura musical porteña, particularmente en la consolidación de la ópera buffa. Así, es posible advertir que la conformación de una escena musical moderna –que trascendió las fronteras de la provincia y se insertó en una cultura artística global vinculada a la ópera–, antes que la consecuencia de un programa cultural preestablecido por el poder político rivadaviano, fue el resultado de un entramado de acciones situadas y con grados de especificidad de diversos actores musicales. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/boletin/article/view/7033 10.34096/bol.rav.n52.7168 Boletín del Instituto de Historia Argentina y Americana Dr. Emilio Ravignani; Núm. 52 (2020): Enero-Junio; 1-26 1850-2563 0524-9767 spa http://revistascientificas.filo.uba.ar/index.php/boletin/article/view/7033/6631 http://revistascientificas.filo.uba.ar/index.php/boletin/article/view/7033/6615
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-245
container_title_str Boletín del Instituto de Historia Argentina y Americana Dr Emilio Ravignani
language Español
format Artículo revista
topic musicians
action
trajectory
musical culture
músicos
trayectoria
acción
cultura musical
spellingShingle musicians
action
trajectory
musical culture
músicos
trayectoria
acción
cultura musical
Guillamon, Guillermina
Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
topic_facet musicians
action
trajectory
musical culture
músicos
trayectoria
acción
cultura musical
author Guillamon, Guillermina
author_facet Guillamon, Guillermina
author_sort Guillamon, Guillermina
title Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
title_short Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
title_full Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
title_fullStr Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
title_full_unstemmed Musicians, Action and Context: Reconstructing the Musical Scene of Buenos Aires from the Biographical Trajectory of the Entrepreneur Pablo Rosquellas
title_sort musicians, action and context: reconstructing the musical scene of buenos aires from the biographical trajectory of the entrepreneur pablo rosquellas
description This article is based on the reconstruction of the career of Pablo Rosquellas, a Spanish theater musician and businessman who lived in Buenos Aires between 1823 and 1831. This leads us to the objective of this work: to show how the analysis of the actions deployed by musicians and businessmen allows us to discuss a perspective that establishes the cultural practices of the Buenos Aires elite as the consequence of the modernizing and reformist actions of the Rivadavian group. In this sense, the biographical trajectory of Rosquellas allows us to displace the focus of analysis of the political program and to situate it in the dynamics of the Buenos Aires musical culture, particularly in the consolidation of opera buffa. Thus, we stress that the conformation of a modern musical scene during the period under analysis was more the result of a network of actions managed by diverse musical actors, rather than the consequence of a cultural program pre-established by the Rivadavian political power.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/boletin/article/view/7033
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first_indexed 2023-06-27T20:56:25Z
last_indexed 2023-06-27T20:56:25Z
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