The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom?
Cultural heritage is an active and dynamic social construction that recovers, reinterprets, and visibilizes past elements and their connection to collective memory, identity, and a sense of belonging to a territory. From a dialectic social research perspective, archaeological sites managing demands...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8434 |
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I28-R243-article-84342023-11-22T16:40:37Z The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? El Cerro Cuevas Pintadas de Guachipas (Salta, Argentina): ¿patrimonio de quién y para quién? den Dulk, Mariana Sosa, Victoria Ayelén Archaeological heritage Indigenous people Participatory planning Social value heritage Patrimonio arqueológico Pueblos indígenas Planificación participativa Valoración social del patrimonio Cultural heritage is an active and dynamic social construction that recovers, reinterprets, and visibilizes past elements and their connection to collective memory, identity, and a sense of belonging to a territory. From a dialectic social research perspective, archaeological sites managing demands participatory processes that help to understand the historic relations of domination between social actors and their different logics and interests. Special consideration is given to the ethnogenesis processes going on in the region. The Cerro Cuevas Pintadas of Guachipas study case (Salta Province, Argentina) shows the importance of identifying and articulating the different interpretations and social values associated with this emblematic rock art site. Our goal in this study is to consider the multivocality associated to the heritage object in order to strengthen the participation of different social actors, acknowledging at the same time their interests and the diverse amount of power they have. We also propose some methodological tools for promoting the equal distribution of the resources that may be generated by the site and to help the local community to construct hybrid and decolonial identities by rescuing oral memory and the archaeological remains present in the área. El patrimonio cultural es una construcción social activa y dinámica que rescata, reinterpreta y visibiliza elementos del pasado que tienen un vínculo con la memoria colectiva, la identidad y el sentido de pertenencia a un territorio. La gestión de los sitios arqueológicos exige el desarrollo de procesos participativos que, enmarcados en una perspectiva dialéctica de la investigación social, impulsen el reconocimiento de las relaciones históricas de dominación entre actores, lógicas e intereses contrapuestos, con especial consideración de los procesos de etnogénesis que se manifiestan en la región. El caso del Cerro Cuevas Pintadas (Guachipas, Provincia de Salta) nos invita a reflexionar sobre la necesidad de identificar y articular las diversas interpretaciones y valoraciones del emblemático sitio con arte rupestre. El objetivo de este trabajo es precisamente considerar la multivocalidad en torno al objeto patrimonial para fortalecer la participación de los diferentes actores sociales, sin desconocer los intereses y el grado de poder que cada uno maneja. Se proponen asimismo algunas herramientas metodológicas a fin de promover no solamente la equitativa distribución de los recursos que se generen, sino también la libertad de construir identidades híbridas y decoloniales a partir del rescate de la memoria oral y de los elementos materiales del pasado asociados a este patrimonio cultural. Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-12-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8434 10.34096/arqueologia.t27.n3.8434 Arqueología; Vol. 27 Núm. 3 (2021): septiembre-diciembre; 11-31 Arqueología; Vol 27 No 3 (2021): September-December; 11-31 1853-8126 0327-5159 spa http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8434/9666 http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8434/12028 Derechos de autor 2021 Mariana den Dulk, Victoria Ayelén Sosa https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-243 |
| container_title_str |
Arqueología |
| language |
Español |
| format |
Artículo revista |
| topic |
Archaeological heritage Indigenous people Participatory planning Social value heritage Patrimonio arqueológico Pueblos indígenas Planificación participativa Valoración social del patrimonio |
| spellingShingle |
Archaeological heritage Indigenous people Participatory planning Social value heritage Patrimonio arqueológico Pueblos indígenas Planificación participativa Valoración social del patrimonio den Dulk, Mariana Sosa, Victoria Ayelén The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| topic_facet |
Archaeological heritage Indigenous people Participatory planning Social value heritage Patrimonio arqueológico Pueblos indígenas Planificación participativa Valoración social del patrimonio |
| author |
den Dulk, Mariana Sosa, Victoria Ayelén |
| author_facet |
den Dulk, Mariana Sosa, Victoria Ayelén |
| author_sort |
den Dulk, Mariana |
| title |
The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| title_short |
The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| title_full |
The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| title_fullStr |
The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| title_full_unstemmed |
The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? |
| title_sort |
cerro cuevas pintadas of guachipas (salta province, argentina): whose heritage and for whom? |
| description |
Cultural heritage is an active and dynamic social construction that recovers, reinterprets, and visibilizes past elements and their connection to collective memory, identity, and a sense of belonging to a territory. From a dialectic social research perspective, archaeological sites managing demands participatory processes that help to understand the historic relations of domination between social actors and their different logics and interests. Special consideration is given to the ethnogenesis processes going on in the region. The Cerro Cuevas Pintadas of Guachipas study case (Salta Province, Argentina) shows the importance of identifying and articulating the different interpretations and social values associated with this emblematic rock art site. Our goal in this study is to consider the multivocality associated to the heritage object in order to strengthen the participation of different social actors, acknowledging at the same time their interests and the diverse amount of power they have. We also propose some methodological tools for promoting the equal distribution of the resources that may be generated by the site and to help the local community to construct hybrid and decolonial identities by rescuing oral memory and the archaeological remains present in the área. |
| publisher |
Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8434 |
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2023-06-27T20:53:27Z |
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2024-08-14T02:32:07Z |
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