Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'

The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of orig...

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Autor principal: Abritta, Alejandro
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840
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spelling I28-R241-article-68402023-06-27T20:46:52Z Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance' Contra lo 'mimético' en Calímaco a partir del concepto de 'ficción de performance original' Abritta, Alejandro Callimachus Hymns fiction of original performance Artemis Calímaco himnos ficción de performance original Artemis The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of original performance’, presented in Llanos (2017), which, in addition to solving the basic problem, links the Callimachus’ hymnodic collection with other poems of its age in the use of a (meta-)literary technic. The application of the concept is exemplified with an analysis of the Hymn to Artemis.  La división de los himnos de Calímaco entre ‘miméticos’ y ‘no-miméticos’ es estándar en la filología contemporánea, pero ha entrado en una crisis sutil en las últimas décadas. En este trabajo me propongo no solo presentar los motivos de esta crisis, sino proponer una solución desde la noción de ‘ficción de performance original’, presentada en Llanos (2017), que, además de resolver los problemas de fondo, vincula la colección himnódica de Calímaco con otros poemas de su época en el uso de una técnica (meta)literaria. La aplicación del concepto se ejemplifica con un análisis del Himno a Ártemis.  Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019-03-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf http://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840 10.34096/afc.v1i32.6840 Anales de Filología Clásica; Vol. 1 Núm. 32 (2019): Literatura Helenística (coordinado por Daniel Torres); 21-29 2362-4841 0325-1721 spa http://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840/6055
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-241
container_title_str Anales de Filología Clásica
language Español
format Artículo revista
topic Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
spellingShingle Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
Abritta, Alejandro
Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
topic_facet Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
author Abritta, Alejandro
author_facet Abritta, Alejandro
author_sort Abritta, Alejandro
title Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_short Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_full Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_fullStr Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_full_unstemmed Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_sort agains the 'mimetic' in callimachus from the concept of 'fiction of original performance'
description The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of original performance’, presented in Llanos (2017), which, in addition to solving the basic problem, links the Callimachus’ hymnodic collection with other poems of its age in the use of a (meta-)literary technic. The application of the concept is exemplified with an analysis of the Hymn to Artemis. 
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url http://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840
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