On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica
The aim of the present article is to explore the rhythmic structure of the hexameter of Oppian’s Halieutica, through a study of the rhythmic correlations between the third foot, the fourth and the final syllable. The author starts from a position that does not consider the brevis in longo principle...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/afc/article/view/5144 |
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I28-R241-article-51442023-06-27T20:46:42Z On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica Sobre la distintiva estructura rítmica del hexámetro en la Haliéutica de Opiano Abritta, Alejandro Oppian Halieutica dactylic hexameter metrics rhythm Opiano Haliéutica hexámetro dactílico métrica ritmo The aim of the present article is to explore the rhythmic structure of the hexameter of Oppian’s Halieutica, through a study of the rhythmic correlations between the third foot, the fourth and the final syllable. The author starts from a position that does not consider the brevis in longo principle as justification for rejecting the study of the quantity of the last location of the verse, and discovers several phenomena that suggest that the poet had a marked preference for “rhythmic coherence” in his hexameter, which coexists with another for the contrast between the breaks of the third foot and the fourth. El objetivo del presente artículo es explorar la estructura rítmica del hexámetro de la Haliéutica, a través de un estudio de las correlaciones rítmicas entre el tercer metro, el cuarto y la sílaba final. El autor parte de una postura que no considera el principio brevis in longo como justificación para el abandono del estudio de la cantidad de la última ubicación del verso, y descubre diversos fenómenos que sugieren que el poeta tenía una marcada preferencia por la ‘coherencia rítmica’ en su hexámetro, que convive con otra por el contraste entre los cortes del tercer metro y el cuarto. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-07-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf http://revistascientificas.filo.uba.ar/index.php/afc/article/view/5144 10.34096/afc.v2i29.5144 Anales de Filología Clásica; Vol. 2 Núm. 29 (2016); 85-96 2362-4841 0325-1721 spa http://revistascientificas.filo.uba.ar/index.php/afc/article/view/5144/4651 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-241 |
| container_title_str |
Anales de Filología Clásica |
| language |
Español |
| format |
Artículo revista |
| topic |
Oppian Halieutica dactylic hexameter metrics rhythm Opiano Haliéutica hexámetro dactílico métrica ritmo |
| spellingShingle |
Oppian Halieutica dactylic hexameter metrics rhythm Opiano Haliéutica hexámetro dactílico métrica ritmo Abritta, Alejandro On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| topic_facet |
Oppian Halieutica dactylic hexameter metrics rhythm Opiano Haliéutica hexámetro dactílico métrica ritmo |
| author |
Abritta, Alejandro |
| author_facet |
Abritta, Alejandro |
| author_sort |
Abritta, Alejandro |
| title |
On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| title_short |
On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| title_full |
On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| title_fullStr |
On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| title_full_unstemmed |
On the distinctive rhythmic structure of the hecameter in Oppian's Halieutica |
| title_sort |
on the distinctive rhythmic structure of the hecameter in oppian's halieutica |
| description |
The aim of the present article is to explore the rhythmic structure of the hexameter of Oppian’s Halieutica, through a study of the rhythmic correlations between the third foot, the fourth and the final syllable. The author starts from a position that does not consider the brevis in longo principle as justification for rejecting the study of the quantity of the last location of the verse, and discovers several phenomena that suggest that the poet had a marked preference for “rhythmic coherence” in his hexameter, which coexists with another for the contrast between the breaks of the third foot and the fourth. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
http://revistascientificas.filo.uba.ar/index.php/afc/article/view/5144 |
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AT abrittaalejandro onthedistinctiverhythmicstructureofthehecameterinoppianshalieutica AT abrittaalejandro sobreladistintivaestructuraritmicadelhexametroenlahalieuticadeopiano |
| first_indexed |
2023-06-27T20:48:38Z |
| last_indexed |
2023-06-27T20:48:38Z |
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