Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva

In this article, trajectories of two fictional characters are reconstructed from their beginnings to their arrival at cinema: Avivato and El Gordo Villanueva. Both had their origins in magazines, but their allure for audiences was such, that they were brought to broadcasting and to the big screen. A...

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Detalles Bibliográficos
Autor principal: Rodríguez Riva, Lucía
Formato: publishedVersion Artículo
Lenguaje:Español
Español
Publicado: Dixit. Departamento de Comunicación. Universidad Católica de Uruguay 2020
Materias:
cine argentino
industria cultural
estereotipo
personajes populares
chanta
Acceso en línea:http://repositorio.filo.uba.ar/handle/filodigital/11381
Aporte de:
FILO Digital - Repositorio de la Facultad de Filosofía y Letras (UBA) de Universidad de Buenos Aires
id I28-R156filodigital-11381
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-156
collection FILO Digital - Repositorio de la Facultad de Filosofía y Letras (UBA)
language Español
Español
topic cine argentino
industria cultural
estereotipo
personajes populares
chanta
spellingShingle cine argentino
industria cultural
estereotipo
personajes populares
chanta
Rodríguez Riva, Lucía
Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
topic_facet cine argentino
industria cultural
estereotipo
personajes populares
chanta
description In this article, trajectories of two fictional characters are reconstructed from their beginnings to their arrival at cinema: Avivato and El Gordo Villanueva. Both had their origins in magazines, but their allure for audiences was such, that they were brought to broadcasting and to the big screen. Although they are not the unique graphic characters that crossed this passage, interest in them lies in that they feature a characteristic type: the chanta. The two of them share certain idiosyncrasy and mode of behavior representative of an urban popular classes fraction in Argentina. Reading of these cases is conducted from cultural history and allows to observe how projection of a fictional character was articulated in its transmedial configuration. Finally, textual and situated analysis of both films unfolds some continuities and transformations produced between 1949 and 1964 within the Argentine cultural industry.
format publishedVersion
Artículo
Artículo
author Rodríguez Riva, Lucía
author_facet Rodríguez Riva, Lucía
author_sort Rodríguez Riva, Lucía
title Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
title_short Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
title_full Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
title_fullStr Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
title_full_unstemmed Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
title_sort humor gráfico, radio, cine: la configuración del estereotipo del chanta en avivato y el gordo villanueva
publisher Dixit. Departamento de Comunicación. Universidad Católica de Uruguay
publishDate 2020
url http://repositorio.filo.uba.ar/handle/filodigital/11381
work_keys_str_mv AT rodriguezrivalucia humorgraficoradiocinelaconfiguraciondelestereotipodelchantaenavivatoyelgordovillanueva
bdutipo_str Repositorios
_version_ 1764820518913966080

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