TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ...
The urban and architectural imaginaries propose a look at the problems that nest in architecture, the city and culture that can be an alternative to the constructions of knowledge coined by the discipline itself. They thus function as a kind of counter-history, as an instrument to destabilize certai...
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| Formato: | Tesis doctoral acceptedVersion |
| Lenguaje: | Español |
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Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo
2023
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7660 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7660.dir/7660.PDF |
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I28-R145-HWA_7660 |
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dspace |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Arquitectura Ciudad Imaginarios Cine Cultura Architecture City Imaginaries Cinema Culture Ciudades Crítica Historia Investigación Movimiento moderno Teoría Arquitectura |
| spellingShingle |
Arquitectura Ciudad Imaginarios Cine Cultura Architecture City Imaginaries Cinema Culture Ciudades Crítica Historia Investigación Movimiento moderno Teoría Arquitectura Del Valle, Luis Andrés TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| topic_facet |
Arquitectura Ciudad Imaginarios Cine Cultura Architecture City Imaginaries Cinema Culture Ciudades Crítica Historia Investigación Movimiento moderno Teoría Arquitectura |
| description |
The urban and architectural imaginaries propose a look at the problems that nest in architecture, the city and culture that can be an alternative to the constructions of knowledge coined by the discipline itself. They thus function as a kind of counter-history, as an instrument to destabilize certain conventions institutionalized by certain already legitimized bodies of knowledge. They constitute a cut, a re-presentation, intentional, that enhances and fertilizes the specific knowledge of the autonomy of architecture as well as of the project.
This work addresses the problem of imaginaries from a theoretical-critical perspective, taking into account the affirmative meaning as well as the negative meaning or denunciation that all the works have. The possibility of questioning and dissecting what the history of architecture itself has institutionalized while giving an account of the possibilities that the imaginaries have to influence the formulations of the project, I understand this as a form of cultural production.
The thesis work addressed the analysis of more than one hundred films of Argentine cinema in the period from 1933 to 1973, as part of a record that would account for the deployments of Modernity in the area of the city of Buenos Aires. A vision of local Modernity through the intersections between cinema and architecture. In this regard, this work has not been developed from cinematographic knowledge or film theory and criticism, but has been proposed from architectural knowledge in a non-architectural medium about an architectural material.
For this, three time cuts were made that in some way marked this deployment of the Modern in the local environment -1933/1945, 1945/1955 and 1955/1973- but which nevertheless are not enough to explain or substantiate said deployment of the Modern. The temporal location does not necessarily explain the characteristics of the analyzed phenomenon. For this, it was complemented with the analysis based on five theoretical-critical categories where the architectural, the urban, the cinematographic and the socio-cultural that could have made our Modernity intersect. Such categories are: The city as a place of virtue and harmony, the dialectics between central city and periphery, the dialectics between natural landscape and artificial landscape, the city as a scene of conflict, and the city as a place of mystery, threat, crime and death. |
| author2 |
Sánchez, Sandra Inés |
| author_facet |
Sánchez, Sandra Inés Del Valle, Luis Andrés |
| format |
Tesis doctoral Tesis doctoral acceptedVersion |
| author |
Del Valle, Luis Andrés |
| author_sort |
Del Valle, Luis Andrés |
| title |
TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| title_short |
TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| title_full |
TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| title_fullStr |
TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| title_full_unstemmed |
TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... |
| title_sort |
tesis doctoral los imaginarios urbanos y arquitectónicos en el ... |
| publisher |
Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo |
| publishDate |
2023 |
| url |
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7660 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7660.dir/7660.PDF |
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AT delvalleluisandres tesisdoctorallosimaginariosurbanosyarquitectonicosenel AT delvalleluisandres losimaginariosurbanosyarquitectonicosenelcinenacionalbuenosaires19331973 AT delvalleluisandres urbanandarchitecturalimaginariesinnationalcinemabuenosaires19331973 |
| _version_ |
1824354302885363712 |
| spelling |
I28-R145-HWA_76602024-12-10 TESIS DOCTORAL Los imaginarios urbanos y arquitectónicos en el ... The urban and architectural imaginaries propose a look at the problems that nest in architecture, the city and culture that can be an alternative to the constructions of knowledge coined by the discipline itself. They thus function as a kind of counter-history, as an instrument to destabilize certain conventions institutionalized by certain already legitimized bodies of knowledge. They constitute a cut, a re-presentation, intentional, that enhances and fertilizes the specific knowledge of the autonomy of architecture as well as of the project. This work addresses the problem of imaginaries from a theoretical-critical perspective, taking into account the affirmative meaning as well as the negative meaning or denunciation that all the works have. The possibility of questioning and dissecting what the history of architecture itself has institutionalized while giving an account of the possibilities that the imaginaries have to influence the formulations of the project, I understand this as a form of cultural production. The thesis work addressed the analysis of more than one hundred films of Argentine cinema in the period from 1933 to 1973, as part of a record that would account for the deployments of Modernity in the area of the city of Buenos Aires. A vision of local Modernity through the intersections between cinema and architecture. In this regard, this work has not been developed from cinematographic knowledge or film theory and criticism, but has been proposed from architectural knowledge in a non-architectural medium about an architectural material. For this, three time cuts were made that in some way marked this deployment of the Modern in the local environment -1933/1945, 1945/1955 and 1955/1973- but which nevertheless are not enough to explain or substantiate said deployment of the Modern. The temporal location does not necessarily explain the characteristics of the analyzed phenomenon. For this, it was complemented with the analysis based on five theoretical-critical categories where the architectural, the urban, the cinematographic and the socio-cultural that could have made our Modernity intersect. Such categories are: The city as a place of virtue and harmony, the dialectics between central city and periphery, the dialectics between natural landscape and artificial landscape, the city as a scene of conflict, and the city as a place of mystery, threat, crime and death. Fil: Del Valle, Luis Andrés. Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo. Buenos Aires, Argentina Sánchez, Sandra Inés Fernández, Roberto Argentina Buenos Aires, Ciudad 1933-1973 Del Valle, Luis Andrés 2023-07-05 Los imaginarios urbanos y arquitectónicos proponen una mirada sobre las problemáticas que anidan en la arquitectura, la ciudad y la cultura que puede resultar alternativa a la de las construcciones de conocimiento acuñadas por la propia disciplina. Funcionan así como una suerte de contra-historia, que un instrumento desestabilizador de ciertas convenciones institucionalizadas por ciertos cuerpos de saber ya legitimados. Constituyen un recorte, una re-presentación, intencionalizado, que potencia y fertiliza los conocimientos específicos de la autonomía de la arquitectura como así también del proyecto. Este trabajo aborda la problemática de los imaginarios desde una perspectiva teórico-crítica, dando cuenta del sentido afirmativo a la vez que del sentido negativo o de denuncia que poseen todas las obras. La posibilidad de interpelar y diseccionar aquello que la propia historia de la arquitectura ha institucionalizado a la vez que el dar cuenta de las posibilidades que tienen los imaginarios de incidir en las formulaciones del proyecto entiendo a éste como una forma de producción cultural. El trabajo de tesis abordó el análisis de más de cien películas del cine argentino en el período de 1933 a 1973, como parte de un registro que diera cuenta de los despliegues de la Modernidad en el ámbito de la ciudad de Buenos Aires. Una visión de la Modernidad local a través de los entrecruzamientos entre el cine y la arquitectura. Al respecto, este trabajo no se ha elaborado desde el conocimiento cinematográfico o la teoría y crítica del cine, sino que se ha propuesto desde el conocimiento arquitectónico en un medio no arquitectónico acerca de un material arquitectónico. Para ello se efectuaron tres cortes temporales que de alguna manera signaron ese despliegue de lo Moderno en el medio local - 1933/1945, 1945/1955 y 1955/1973 - pero que no obstante no alcanzan para explicar o fundamentar dicho despliegue de lo Moderno. La ubicación temporal no explica necesariamente las características del fenómeno analizado. Para ello se lo complementó con el análisis a partir de cinco categorías teórico-críticas en donde se entrecruzan lo arquitectónico, lo urbano, lo cinematográfico y lo socio-cultural que pudo haber hecho a nuestra Modernidad. Tales categorías son: La ciudad como lugar de la virtud y la armonía, las dialécticas entre ciudad central y periferia, las dialécticas entre paisaje natural y paisaje artificial, la ciudad como escenario del conflicto, y la ciudad como lugar del misterio, la amenaza, el crimen y la muerte. application/pdf Negro, Marcela Gutman, Margarita Cravino, Ana Arquitectura Ciudad Imaginarios Cine Cultura Architecture City Imaginaries Cinema Culture spa Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ Ciudades Crítica Historia Investigación Movimiento moderno Teoría Arquitectura Doctor de la Universidad de Buenos Aires, Área Arquitectura Los imaginarios urbanos y arquitectónicos en el cine nacional : Buenos Aires : 1933-1973 Urban and architectural imaginaries in national cinema : Buenos Aires : 1933-1973 info:eu-repo/semantics/doctoralThesis info:ar-repo/semantics/tesis doctoral info:eu-repo/semantics/acceptedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7660 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7660.dir/7660.PDF |