6997
Contemporary Argentine film tends to blend elements of fiction and documentary. This seemingly-new trend cannot be separated from certain historical landmarks, which leads us to suspect that this kind of film is part of a larger underlying tradition. Not only will we outline precise events in the hi...
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| Formato: | Tesis de maestría acceptedVersion |
| Lenguaje: | Español |
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Facultad de Arquitectura, Diseño y Urbanismo
2021
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqmas&cl=CL1&d=HWA_6997 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqmas/index/assoc/HWA_6997.dir/6997.PDF |
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| Sumario: | Contemporary Argentine film tends to blend elements of fiction and documentary. This seemingly-new trend cannot be separated from certain historical landmarks, which leads us to suspect that this kind of film is part of a larger underlying tradition. Not only will we outline precise events in the history of Argentine film to comprehend how these types of films were created, but more importantly, we will show how the main reference points often stretch back beyond the origins, reaching into chronophotography and other pre-cinematographic tendencies. These links are used as formal instruments for the construction of a particular perspective on the present times. The importance of the following study hinges on the comprehension of contemporary film as a set of heterogeneous developments that are part of a tradition, and not a series of isolated and groundbreaking events. Cultural Theory tends to qualify this mode of film as "Hybrid cinema", but fails to question whether this category is adequate for these types of films; in this research, we will study whether the link between elements of fiction and documentary in contemporary film should be viewed as "Hybrid cinema" or if new categories are needed. |
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