tapa

This research is inspired by the symbolic world of practice and teaching of the project; analyzes the dialogue of the different voices and languages, where the logical and the analog are syncretized, the languages are combined and enhanced. The thesis proposes, using methodological tools of discours...

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Detalles Bibliográficos
Autor principal: López, Mabel Amanda
Otros Autores: Magariños de Morentin, Juan Ángel
Formato: Tesis doctoral acceptedVersion
Lenguaje:Español
Publicado: Facultad de Arquitectura, Diseño y Urbanismo 2012
Materias:
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5687
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5687.dir/5687.PDF
Aporte de:
id I28-R145-HWA_5687
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Lenguajes
Enseñanza del diseño gráfico
Aula taller
Interacciones verbales
Estrategias discursivas
Languages and ideology
Teaching of graphic design
Dialogue in the workshop
Verbal interactions
Discursive strategies
Diseño gráfico
Enseñanza
Metodologías
Investigación
Lenguaje
Pedagogía
spellingShingle Lenguajes
Enseñanza del diseño gráfico
Aula taller
Interacciones verbales
Estrategias discursivas
Languages and ideology
Teaching of graphic design
Dialogue in the workshop
Verbal interactions
Discursive strategies
Diseño gráfico
Enseñanza
Metodologías
Investigación
Lenguaje
Pedagogía
López, Mabel Amanda
tapa
topic_facet Lenguajes
Enseñanza del diseño gráfico
Aula taller
Interacciones verbales
Estrategias discursivas
Languages and ideology
Teaching of graphic design
Dialogue in the workshop
Verbal interactions
Discursive strategies
Diseño gráfico
Enseñanza
Metodologías
Investigación
Lenguaje
Pedagogía
description This research is inspired by the symbolic world of practice and teaching of the project; analyzes the dialogue of the different voices and languages, where the logical and the analog are syncretized, the languages are combined and enhanced. The thesis proposes, using methodological tools of discourse analysis, to find traces of social relations in the interaction between teachers and students, which delimit and reproduce cultural frameworks that constitute these practices. What does the word contribute to the teaching of design?, was the initial question of this work. We recognize that verbal mediation is essential for the development of didactic instances: exposition, work instructions, colloquia, project criticism. However, the imposition of one language on another is not insignificant, since the word never exhausts the latent senses of graphic language. The thesis consists of four chapters. The first exposes the subject: dialogue, the enunciable in relation to the visible; the second focuses on methodological aspects. Chapter III is central in the application of operations on the corpus. The thesis concludes with a chapter that does not present conclusions but deals with the possible projections of the theory. Far from being conclusive, it opens reflections on topics such as evaluation, student qualification, teacher training, which, although not analyzed in the thesis, are related issues. The polyphonic structuring of the thesis, with the incorporation of other voices, analogical languages and other documentary sources does not want to disperse the line of argument from its nucleus. The different sign materials document and argue along with the verbal narrative. No part of the thesis works in isolation but symphonically with respect to the whole, which is its context and framework of interpretation.
author2 Magariños de Morentin, Juan Ángel
author_facet Magariños de Morentin, Juan Ángel
López, Mabel Amanda
format Tesis doctoral
Tesis doctoral
acceptedVersion
author López, Mabel Amanda
author_sort López, Mabel Amanda
title tapa
title_short tapa
title_full tapa
title_fullStr tapa
title_full_unstemmed tapa
title_sort tapa
publisher Facultad de Arquitectura, Diseño y Urbanismo
publishDate 2012
url http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5687
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5687.dir/5687.PDF
work_keys_str_mv AT lopezmabelamanda tapa
AT lopezmabelamanda lovisibleyloenunciabletextoverbaleimagenlenguajesdeldisenografico
AT lopezmabelamanda thevisibleandthedeclarableverbaltextandimagelanguagesofgraphicdesign
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spelling I28-R145-HWA_56872024-08-16 tapa This research is inspired by the symbolic world of practice and teaching of the project; analyzes the dialogue of the different voices and languages, where the logical and the analog are syncretized, the languages are combined and enhanced. The thesis proposes, using methodological tools of discourse analysis, to find traces of social relations in the interaction between teachers and students, which delimit and reproduce cultural frameworks that constitute these practices. What does the word contribute to the teaching of design?, was the initial question of this work. We recognize that verbal mediation is essential for the development of didactic instances: exposition, work instructions, colloquia, project criticism. However, the imposition of one language on another is not insignificant, since the word never exhausts the latent senses of graphic language. The thesis consists of four chapters. The first exposes the subject: dialogue, the enunciable in relation to the visible; the second focuses on methodological aspects. Chapter III is central in the application of operations on the corpus. The thesis concludes with a chapter that does not present conclusions but deals with the possible projections of the theory. Far from being conclusive, it opens reflections on topics such as evaluation, student qualification, teacher training, which, although not analyzed in the thesis, are related issues. The polyphonic structuring of the thesis, with the incorporation of other voices, analogical languages and other documentary sources does not want to disperse the line of argument from its nucleus. The different sign materials document and argue along with the verbal narrative. No part of the thesis works in isolation but symphonically with respect to the whole, which is its context and framework of interpretation. Fil: López, Mabel Amanda. Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo. Buenos Aires, Argentina Facultad de Arquitectura, Diseño y Urbanismo Magariños de Morentin, Juan Ángel Ledesma, María Década del 2010 2012 López, Mabel Amanda 2012-06-01 Esta investigación está inspirada en el mundo simbólico de la práctica y la enseñanza del proyecto; analiza el diálogo de las distintas voces y lenguajes, donde lo lógico y lo analógico se sincretizan, los lenguajes se combinan y potencian. La tesis se propone, mediante herramientas metodológicas del análisis del discurso, hallar huellas de relaciones sociales en la interacción entre docentes y estudiantes, que delimitan y reproducen marcos culturales constituyentes de esas prácticas. ¿Qué aporta la palabra a la enseñanza del diseño?, fue la pregunta inicial de este trabajo. Reconocemos que la mediación verbal es fundamental para el desarrollo de instancias didácticas: exposición, consignas de trabajo, coloquios, crítica de proyectos. Sin embargo, la imposición de un lenguaje sobre otro no es insignificante, ya que la palabra nunca agota los sentidos latentes del lenguaje gráfico. La tesis consta de cuatro capítulos. El primero expone el tema: el diálogo, lo enunciable en relación con lo visible; el segundo se centra en los aspectos metodológicos. El capítulo III es central en la aplicación de operaciones sobre el corpus. La tesis concluye con un capítulo que no expone conclusiones sino que aborda las proyecciones posibles de la teoría. Lejos de ser conclusivo, abre reflexiones sobre temáticas como la evaluación, la calificación de los estudiantes, la formación docente que, si bien no se analizan en la tesis, son cuestiones relacionadas. La estructuración polifónica de la tesis, con la incorporación de otras voces, lenguajes analógicos y otras fuentes documentales no quiere dispersar la línea argumental de su núcleo. Los diferentes materiales sígnicos documentan y argumentan junto a la narración verbal. Ninguna parte de la tesis funciona de modo aislado sino sinfónicamente respecto de la totalidad, que es su contexto y marco de interpretación. application/pdf Zátonyi, Marta Sarquis, Jorge Russo, Eduardo Leiro, Reinaldo Lenguajes Enseñanza del diseño gráfico Aula taller Interacciones verbales Estrategias discursivas Languages and ideology Teaching of graphic design Dialogue in the workshop Verbal interactions Discursive strategies spa Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ Diseño gráfico Enseñanza Metodologías Investigación Lenguaje Pedagogía Lo visible y lo enunciable : texto verbal e imagen, lenguajes del Diseño Gráfico The visible and the declarable : verbal text and image, languages of Graphic Design info:eu-repo/semantics/doctoralThesis info:ar-repo/semantics/tesis doctoral info:eu-repo/semantics/acceptedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5687 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5687.dir/5687.PDF