The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene

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A survivor of the ‘60s (Serra: 1997) and bearer of the aesthetics and the "80s mode" (Lucena and Laboureau, 2016: 16), Omar Serra presents in April 2017 in Rosario Filosofía en el Tocador, an original adaptation of the homonymous novel written by Donatien Alphonse François de Sade –known a...

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Autor principal: Ponte, Daniela
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Rosario Theater
Dramaturgy
post-dictatorship theater
Theatre
Marquis de Sade
Serra
Omar Serra
Comte de Sade
Marqués de Sade
Teatro de posdictadura
Teatro rosarino
dramaturgia
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9987
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9987_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-9987_oai
record_format dspace
spelling I28-R145-9987_oai2025-11-17 Ponte, Daniela 2021-05-22 A survivor of the ‘60s (Serra: 1997) and bearer of the aesthetics and the "80s mode" (Lucena and Laboureau, 2016: 16), Omar Serra presents in April 2017 in Rosario Filosofía en el Tocador, an original adaptation of the homonymous novel written by Donatien Alphonse François de Sade –known as the Marquis de Sade– and published in 1795. A careful period wardrobe, music by Queen, scenes on the edge of explicit sex, centrality and prominence of the body, are some of the elements that are put into play to evoke the French court of the late 18th century and constitute the framework in which Serra shows us once again how to bring the imprint of under to the Rosario scene. In the present work we will explore the particularities of Serrean poetics present in a play that is as intense as it is disturbing. Sobreviviente de los ‘60 (Serra: 1997) y portador de la estética y del “modo de los ‘80” (Lucena y Laboureau, 2016:16), Omar Serra estrena en abril del 2017 en Rosario Filosofía en el Tocador, una adaptación original de la novela homónima escrita por Donatien Alphonse François de Sade –conocido como  el Marqués de Sade– y publicada en 1795. Un cuidado vestuario de época, música de Queen,  escenas al filo del sexo explícito,  centralidad y protagonismo de lo corporal,  son algunos de los elementos que se ponen en juego para evocar a la corte francesa de finales del siglo XVIII y constituyen el marco en el que Serra nos enseña nuevamente como llevar la impronta del under a la escena rosarina. En el presente trabajo exploraremos las particularidades de la poética serreana presentes en una puesta tan intensa como perturbadora. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9987 10.34096/tdf.n33.9987 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9987/9146 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9987/9164 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Rosario Theater Dramaturgy post-dictatorship theater Theatre Marquis de Sade Serra Omar Serra Comte de Sade Omar Serra Marqués de Sade Teatro de posdictadura Teatro rosarino dramaturgia The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene La poética teatral de Omar Serra en la versión de un texto de Sade. Una puesta que irrumpe en la escena rosarina info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9987_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Rosario Theater
Dramaturgy
post-dictatorship theater
Theatre
Marquis de Sade
Serra
Omar Serra
Comte de Sade
Omar Serra
Marqués de Sade
Teatro de posdictadura
Teatro rosarino
dramaturgia
spellingShingle Rosario Theater
Dramaturgy
post-dictatorship theater
Theatre
Marquis de Sade
Serra
Omar Serra
Comte de Sade
Omar Serra
Marqués de Sade
Teatro de posdictadura
Teatro rosarino
dramaturgia
Ponte, Daniela
The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
topic_facet Rosario Theater
Dramaturgy
post-dictatorship theater
Theatre
Marquis de Sade
Serra
Omar Serra
Comte de Sade
Omar Serra
Marqués de Sade
Teatro de posdictadura
Teatro rosarino
dramaturgia
description A survivor of the ‘60s (Serra: 1997) and bearer of the aesthetics and the "80s mode" (Lucena and Laboureau, 2016: 16), Omar Serra presents in April 2017 in Rosario Filosofía en el Tocador, an original adaptation of the homonymous novel written by Donatien Alphonse François de Sade –known as the Marquis de Sade– and published in 1795. A careful period wardrobe, music by Queen, scenes on the edge of explicit sex, centrality and prominence of the body, are some of the elements that are put into play to evoke the French court of the late 18th century and constitute the framework in which Serra shows us once again how to bring the imprint of under to the Rosario scene. In the present work we will explore the particularities of Serrean poetics present in a play that is as intense as it is disturbing.
format Artículo
publishedVersion
author Ponte, Daniela
author_facet Ponte, Daniela
author_sort Ponte, Daniela
title The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
title_short The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
title_full The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
title_fullStr The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
title_full_unstemmed The Theatrical Poetics of Omar Serra in the Version of a Text by Sade. A Staging that Bursts into the Rosario Scene
title_sort theatrical poetics of omar serra in the version of a text by sade. a staging that bursts into the rosario scene
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9987
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9987_oai
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