Music arrives first: the musical mimesis duo in the Aesthetics of Lukács
This article, of theoretical and bibliographic character, synthetically debates the topic “Musics”, present in chapter 14 of Aesthetics. The peculiarity of the aesthetic, by Georg Lukács. Based on immanent reading, communication, supported by the Hungarian author, is part of the fundamental...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/9735 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=9735_oai |
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I28-R145-9735_oai2025-11-17 Santos, Deribaldo 2020-11-30 This article, of theoretical and bibliographic character, synthetically debates the topic “Musics”, present in chapter 14 of Aesthetics. The peculiarity of the aesthetic, by Georg Lukács. Based on immanent reading, communication, supported by the Hungarian author, is part of the fundamental characteristic of the homogeneous musical environment, that is, that music shares the condition of having a double mimesis. The musical case, however, considers the basic law of the Lukácsian aesthetic re-figuration for the other arts; that is: width, depth, breadth, among other elements of the expression of life, are elements from which art draws vital material to reshape his works. In other words, the material provided by the world, to the same extent for any art, will be the soil that feeds the vital material of the musical conformation. The exhibition points out, as a consideration of the apprehended debate, that music – as well as other forms of artistic reflection – and life share a common field of contact, this being the supplier of the living material, so that it can rise to the level of provoke catharsis in the living persons. Este artigo, de caráter teórico-bibliográfico, debate sinteticamente o tópico “La música”, presente no capítulo 14 de Estética. A peculiaridade do estético, de Georg Lukács. Com base em leitura imanente, a comunicação, apoiada no autor húngaro, parte da característica fundamental do meio homogêneo musical, ou seja, de que a música partilha da condição de possuir uma dupla mimese. O caso musical, não obstante, considera a lei básica da refiguração estética lukacsiana para as demais artes, isto é: a largura, a profundidade, a amplitude, entre outros elementos da expressão da vida, são elementos de onde a arte retira o material vital para refigurar suas obras. Em outras palavras, o material fornecido pelo mundo, na mesma medida para qualquer arte, será o solo alimentador do material vital da conformação musical. A exposição aponta, como consideração do debate apreendido, que a música – assim como as outras formas de reflexão artística – e a vida partilham de um campo comum de contato, sendo esta a fornecedora do material vivencial para que aquela possa se alçar ao patamar de provocar catarse nos viventes. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/9735 10.34096/interlitteras.n2.9735 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/9735/8575 https://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/9735/8596 Inter Litteras; Núm. 2 (2020); 189-210 2683-9695 0328-8935 estética Georg Lukács música meio homogêneo aesthetics Georg Lukács music homogeneous medium Music arrives first: the musical mimesis duo in the Aesthetics of Lukács A música chega primeiro: a dupla mimese musical na Estética de Lukács info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=9735_oai |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
estética Georg Lukács música meio homogêneo aesthetics Georg Lukács music homogeneous medium |
| spellingShingle |
estética Georg Lukács música meio homogêneo aesthetics Georg Lukács music homogeneous medium Santos, Deribaldo Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| topic_facet |
estética Georg Lukács música meio homogêneo aesthetics Georg Lukács music homogeneous medium |
| description |
This article, of theoretical and bibliographic character, synthetically debates the topic “Musics”, present in chapter 14 of Aesthetics. The peculiarity of the aesthetic, by Georg Lukács. Based on immanent reading, communication, supported by the Hungarian author, is part of the fundamental characteristic of the homogeneous musical environment, that is, that music shares the condition of having a double mimesis. The musical case, however, considers the basic law of the Lukácsian aesthetic re-figuration for the other arts; that is: width, depth, breadth, among other elements of the expression of life, are elements from which art draws vital material to reshape his works. In other words, the material provided by the world, to the same extent for any art, will be the soil that feeds the vital material of the musical conformation. The exhibition points out, as a consideration of the apprehended debate, that music – as well as other forms of artistic reflection – and life share a common field of contact, this being the supplier of the living material, so that it can rise to the level of provoke catharsis in the living persons. |
| format |
Artículo publishedVersion |
| author |
Santos, Deribaldo |
| author_facet |
Santos, Deribaldo |
| author_sort |
Santos, Deribaldo |
| title |
Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| title_short |
Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| title_full |
Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| title_fullStr |
Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| title_full_unstemmed |
Music arrives first: the musical mimesis duo in the Aesthetics of Lukács |
| title_sort |
music arrives first: the musical mimesis duo in the aesthetics of lukács |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2020 |
| url |
https://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/9735 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=interlit&d=9735_oai |
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