¿Más allá o más acá del arte? Sobre la noción de mímesis en Aristóteles, una vez más

The notion of mimesis is central to the Poetic. Despite the few explanations that Aristotle performs on their semantic scope, mimesis is capital to understand his conception of art. A new publication by Viviana Suñol, adds to the contributions and research which, in recent years, trying to show that...

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Autor principal: Castillo Merlo, Mariana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2013
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/CdF/article/view/958
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=958_oai
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Sumario:The notion of mimesis is central to the Poetic. Despite the few explanations that Aristotle performs on their semantic scope, mimesis is capital to understand his conception of art. A new publication by Viviana Suñol, adds to the contributions and research which, in recent years, trying to show that, beyond or nearer the art, mimesis has found new framework to confirm their currently. The aim of this note is to examine the multiple relationships that can be draw between the guiding principle of the Poetic and the rest of the corpus.