Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century
In Chile , in spite of the diverse characteristics reflected in the succession of collective identity projects since the beginning of the 20th century to the present, there exists one notorious example of continuity: the practice of instituting official discourse that attempts to annul the Other wit...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2006
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9501 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9501_oai |
| Aporte de: |
| id |
I28-R145-9501_oai |
|---|---|
| record_format |
dspace |
| spelling |
I28-R145-9501_oai2025-11-17 Lagos- Kassai , María Soledad Lagos- Kassai , María Soledad 2006-12-01 In Chile , in spite of the diverse characteristics reflected in the succession of collective identity projects since the beginning of the 20th century to the present, there exists one notorious example of continuity: the practice of instituting official discourse that attempts to annul the Other within and without oneself, in the formation of an open, pluralistic, or truly modern nation. This practice, based on annulment or negation, or in the best scenario, on the repression of the Other, encompasses a destructive attitude toward the pre-existing, an attitude that persists at the end of the 20th century and into the 21st in a society that perceives itself as modern. En Chile, los sucesivos proyectos de plasmación de identidad(es) colectiva(s) , desde comienzos del siglo XX hasta nuestros días, pese a sus rasgos diferenciadores, presentan una notoria continuidad: un comportamiento de los que instauran el discurso social oficial que intenta anular la existencia del otro dentro del sí mismo y del otro fuera de uno mismo, en tanto co-forjador de una nación abierta, pluralista y verdaderamente moderna. El comportamiento basado en la anulación o negación o, en el mejor de los casos, en la represión de ese otro , encierra una actitud destructiva hacia lo ya existente, actitud que persiste a fines del siglo XX y albores del XXI en medio de una sociedad que se autopercibe como moderna. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9501 10.34096/tdf.n4.9501 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9501/8276 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 4 (2006); 1-42 1669-6301 Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century Modelos de identidad(es) y teatro chileno en las primeras tres décadas del siglo XX info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9501_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren |
| spellingShingle |
Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Lagos- Kassai , María Soledad Lagos- Kassai , María Soledad Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| topic_facet |
Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren Hederra Concha Hurtado Borne Cariola Moock Luco Cruchaga Acevedo Hernández Aguirre Bretón Recabarren |
| description |
In Chile , in spite of the diverse characteristics reflected in the succession of collective identity projects since the beginning of the 20th century to the present, there exists one notorious example of continuity: the practice of instituting official discourse that attempts to annul the Other within and without oneself, in the formation of an open, pluralistic, or truly modern nation. This practice, based on annulment or negation, or in the best scenario, on the repression of the Other, encompasses a destructive attitude toward the pre-existing, an attitude that persists at the end of the 20th century and into the 21st in a society that perceives itself as modern. |
| format |
Artículo publishedVersion |
| author |
Lagos- Kassai , María Soledad Lagos- Kassai , María Soledad |
| author_facet |
Lagos- Kassai , María Soledad Lagos- Kassai , María Soledad |
| author_sort |
Lagos- Kassai , María Soledad |
| title |
Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| title_short |
Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| title_full |
Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| title_fullStr |
Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| title_full_unstemmed |
Models of Identity and Chilean Theatre in the First Three Decades of the 20th Century |
| title_sort |
models of identity and chilean theatre in the first three decades of the 20th century |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2006 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9501 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9501_oai |
| work_keys_str_mv |
AT lagoskassaimariasoledad modelsofidentityandchileantheatreinthefirstthreedecadesofthe20thcentury AT lagoskassaimariasoledad modelsofidentityandchileantheatreinthefirstthreedecadesofthe20thcentury AT lagoskassaimariasoledad modelosdeidentidadesyteatrochilenoenlasprimerastresdecadasdelsigloxx AT lagoskassaimariasoledad modelosdeidentidadesyteatrochilenoenlasprimerastresdecadasdelsigloxx |
| _version_ |
1851376192662274048 |