Retornos (sobre teatro y hegemonía en Chile después de 2001)
The paper proposes theoretical coordinates to interpret, in a political and symptomatic sense, works by young theatrical creatives that during the first decade of this century have developed sophisticated aesthetic joints on the dominant discourses of Chilean culture: National identity and neolibera...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2009
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9322 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9322_oai |
| Aporte de: |
| Sumario: | The paper proposes theoretical coordinates to interpret, in a political and symptomatic sense, works by young theatrical creatives that during the first decade of this century have developed sophisticated aesthetic joints on the dominant discourses of Chilean culture: National identity and neoliberalism. Artistic proposals that could be understood as symbolic threatening returns of naturalized violence, founding of the cultural hegemony in Chile today. Based on these assumptions an approach is being rehearsed on the works Simulacro of the Colectivo Teatral La Resentida and H.P. (Hans Pozo) of the company La Nacional. |
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