Escenas desintegradas: Federico León y Rafael Spregelburd
This article considers some theoretical and practical parameters with regard to the relationship and recycling of the Neo-Avant-Garde theatre of the 1960s, and that of the 1990s coined as theatre of desintegrationwith both tendencies producing similar absurdist techniques in the theatre of the ne...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2010
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9277 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9277_oai |
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I28-R145-9277_oai2025-11-17 Hernández, Paola Hernández, Paola 2010-07-01 This article considers some theoretical and practical parameters with regard to the relationship and recycling of the Neo-Avant-Garde theatre of the 1960s, and that of the 1990s coined as theatre of desintegrationwith both tendencies producing similar absurdist techniques in the theatre of the new millennium. Two plays are analyzed: Cachetazo de campo (1997) by Federico León and Acassuso (2007) by Rafael Spregelburd in order to emphasize both the culmination of the theatre of desintegration of the 90s, as well as to explore how these same trends have persisted into the theatre of the twentieth-first century. Este artículo establece algunos parámetros tanto teóricos como prácticos en cuanto a la relación y el reciclaje del teatro de los años 60 de la gama neovanguardista y el de los '90 de la desintegración que desembocan en un teatro del nuevo milenio de similar estilo absurdista. Se analizan dos obras: Cachetazo de campo (1997) de Federico León y Acassuso (2007) de Rafael Spregelburd para enfatizar tanto el apogeo del teatro de la desintegración de los noventa como también para explorar las tendencias que persisten en el teatro del siglo XXI. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9277 10.34096/tdf.n11.9277 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9277/8044 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 11 (2010); 1-17 1669-6301 Acassuso Rafael Spregelburd Spregelburd León theatre of desintegration Neo-Avant-garde Acassuso Rafael Spregelburd Spregelburd León neovanguardia teatro de la desintegración Escenas desintegradas: Federico León y Rafael Spregelburd Escenas desintegradas: Federico León y Rafael Spregelburd info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9277_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Acassuso Rafael Spregelburd Spregelburd León theatre of desintegration Neo-Avant-garde Acassuso Rafael Spregelburd Spregelburd León neovanguardia teatro de la desintegración |
| spellingShingle |
Acassuso Rafael Spregelburd Spregelburd León theatre of desintegration Neo-Avant-garde Acassuso Rafael Spregelburd Spregelburd León neovanguardia teatro de la desintegración Hernández, Paola Hernández, Paola Escenas desintegradas: Federico León y Rafael Spregelburd |
| topic_facet |
Acassuso Rafael Spregelburd Spregelburd León theatre of desintegration Neo-Avant-garde Acassuso Rafael Spregelburd Spregelburd León neovanguardia teatro de la desintegración |
| description |
This article considers some theoretical and practical parameters with regard to the relationship and recycling of the Neo-Avant-Garde theatre of the 1960s, and that of the 1990s coined as theatre of desintegrationwith both tendencies producing similar absurdist techniques in the theatre of the new millennium. Two plays are analyzed: Cachetazo de campo (1997) by Federico León and Acassuso (2007) by Rafael Spregelburd in order to emphasize both the culmination of the theatre of desintegration of the 90s, as well as to explore how these same trends have persisted into the theatre of the twentieth-first century. |
| format |
Artículo publishedVersion |
| author |
Hernández, Paola Hernández, Paola |
| author_facet |
Hernández, Paola Hernández, Paola |
| author_sort |
Hernández, Paola |
| title |
Escenas desintegradas: Federico León y Rafael Spregelburd |
| title_short |
Escenas desintegradas: Federico León y Rafael Spregelburd |
| title_full |
Escenas desintegradas: Federico León y Rafael Spregelburd |
| title_fullStr |
Escenas desintegradas: Federico León y Rafael Spregelburd |
| title_full_unstemmed |
Escenas desintegradas: Federico León y Rafael Spregelburd |
| title_sort |
escenas desintegradas: federico león y rafael spregelburd |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2010 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9277 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9277_oai |
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AT hernandezpaola escenasdesintegradasfedericoleonyrafaelspregelburd AT hernandezpaola escenasdesintegradasfedericoleonyrafaelspregelburd |
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1851376221531668480 |