La creación escénica como forma de investigación y la investigación como forma de creación. : La representación y la disociación como procedimientos de investigación en las artes escénicas
The modern theatre researched the possibilities for the human being representation. It used careful procedures of composition and worried about the relationship between body and word. The modern theatre wanted to show an image of the world analogically. The contemporary theatre refused t...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2010
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9226 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9226_oai |
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| Sumario: |
The modern theatre researched the possibilities for the human being representation. It used careful procedures of composition and worried about the relationship between body and word. The modern theatre wanted to show an image of the world analogically. The contemporary theatre refused the reference model and the possibility of the representation. It analyses, breaks down and re-examines. The process, the unsuccessful attempt and the possibilities of body and word dissociation turn into the new research fields. |
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