Teatro en cuanto arte: desde Friedrich Nietzsche hasta Camille Paglia
This article focuses on Friedrich Nietzsche's thought in his work The Birth of Tragedy, in which the presence of what is heard in theatre is more important than what is seen. Sigmund Freud and Lou Andrea-Salome revisit the topic of tragedy, broadening the importance of the word in theatre. The...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2011
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9139 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9139_oai |
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| Sumario: | This article focuses on Friedrich Nietzsche's thought in his work The Birth of Tragedy, in which the presence of what is heard in theatre is more important than what is seen. Sigmund Freud and Lou Andrea-Salome revisit the topic of tragedy, broadening the importance of the word in theatre. The decades of progressive silence concerning these issues since the mid-20th Century also contributed to the loss of the idea of theatre as art. The thought of Camilla Paglia, an author who is knowledgeable about Nietzsche, recovers once again the idea of theatre as art, and places it as a visual and auditory perception. |
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