La muerte animada. Edward Gordon Craig y la visualidad del teatro de lo inanimado

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Theater of animated formsmakes evident the relationship between theater and death. Archetypal and primal questions coexist with the avant-garde and interface with many artistic styles and languages. Edward Gordon Craig, by challenging to replace the (live) actor with the (non-live) Supermarionette,...

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Detalles Bibliográficos
Autor principal: Ribeiro , Almir
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2011
Materias:
Craig
Supermarionette
Actor
Kantor
Puppetry
Übermarionette
Supermarioneta
actor
muñecos
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9038
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9038_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
Descripción
Sumario:Theater of animated formsmakes evident the relationship between theater and death. Archetypal and primal questions coexist with the avant-garde and interface with many artistic styles and languages. Edward Gordon Craig, by challenging to replace the (live) actor with the (non-live) Supermarionette, rescued puppetry, its expressiveness and technics, and provided a new perspective of the actor’s role.

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