Cruzar la veladura. La escena transversal de Jorge Arturo Vargas
This essay is an approach to the work of one of the most interesting directors in the Mexican theatre today, Jorge Arturo Vargas. The text discusses different moments of his career, from his first and early works based on a vision of the body on stage influenced by Étienne Decroux to his latest inno...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9017 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9017_oai |
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| Sumario: | This essay is an approach to the work of one of the most interesting directors in the Mexican theatre today, Jorge Arturo Vargas. The text discusses different moments of his career, from his first and early works based on a vision of the body on stage influenced by Étienne Decroux to his latest innovations combining scenic work and art installations in the public space. The theater of Vargas, head of the Teatro Línea de Sombra company, represents one of the most influential visions in today's Mexican scene. |
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