El Método de las Acciones Físicas de Raúl Serrano y la acción actoral como lugar del sujeto
This article intends to conduct a theoretical approach to the fundamentals of Acting proposed by Raúl Serrano's "Método de las Acciones Físicas". Based on what is known as the "second part" of the work of Stanislavski -in which the Russian pedagogue arrives to a methodologic...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9004 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9004_oai |
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| Sumario: | This article intends to conduct a theoretical approach to the fundamentals of Acting proposed by Raúl Serrano's "Método de las Acciones Físicas". Based on what is known as the "second part" of the work of Stanislavski -in which the Russian pedagogue arrives to a methodological synthesis that was absent in the terminological and technical profusion of his initial writings- and also on elements of the marxist dialectic, the Argentine pedagogue produces a methodology in which the subject is present in the performance through its action, with the exception of any rational or emotional speculation that isolates it the circumstances of the scene. |
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