Viajes reales y simbólicos en "Chiloé Cielos Cubiertos" de María Asunción Requena
The following essay wishes to draw attention to the dramatic production of the Chilean author María Asunción Requena (1916), reassessing her role in the national theater scene in the second half of the twentieth century, particularly regarding her work of historical and folkloric revaluation. The ce...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8955 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8955_oai |
| Aporte de: |
| Sumario: | The following essay wishes to draw attention to the dramatic production of the Chilean author María Asunción Requena (1916), reassessing her role in the national theater scene in the second half of the twentieth century, particularly regarding her work of historical and folkloric revaluation. The center of the analysis is the piece Chiloé, cielos cubiertos (1971), with special attention to the role of women and the topic of travelling, in both its physical and symbolic meanings. |
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