Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies
In less than five years, Puerto Rico has lived through a set of social experiences that exacerbated the paradoxes and contradictions of the country’s development model, anchored in our colonial subordination to the United States. What has been the evolution of musical research in times of disaster c...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8863 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8863_oai |
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I28-R145-8863_oai |
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Universidad de Buenos Aires |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
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Español |
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spa |
| topic |
investigación musical Puerto Rico políticas culturales imaginarios nacionales pesquisa musical Porto Rico políticas culturais imaginários nacionais Music research Puerto Rico cultural policies national imaginaries |
| spellingShingle |
investigación musical Puerto Rico políticas culturales imaginarios nacionales pesquisa musical Porto Rico políticas culturais imaginários nacionais Music research Puerto Rico cultural policies national imaginaries Quintero Rivera, Mareia Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| topic_facet |
investigación musical Puerto Rico políticas culturales imaginarios nacionales pesquisa musical Porto Rico políticas culturais imaginários nacionais Music research Puerto Rico cultural policies national imaginaries |
| description |
In less than five years, Puerto Rico has lived through a set of social experiences that exacerbated the paradoxes and contradictions of the country’s development model, anchored in our colonial subordination to the United States. What has been the evolution of musical research in times of disaster capitalism and accentuated austerity policies? To address this question, the article proposes a historical look at the writings and research on music, considering their contexts of enunciation. In what ways have popular musical practices been listened to by the State and the literate intelligentsia, and what role have narratives on music played in the country's sociocultural and political debates? What impact have these ways of listening had in the development of cultural and educational policies? What has been the role of the musicians themselves in the production of knowledge about musical practices and traditions, as well as in the configuration of evaluative schemes around them? How is the current situation transforming listening modes and what new approaches to the production of musical knowledge are emerging on the horizon? |
| format |
Artículo publishedVersion |
| author |
Quintero Rivera, Mareia |
| author_facet |
Quintero Rivera, Mareia |
| author_sort |
Quintero Rivera, Mareia |
| title |
Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| title_short |
Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| title_full |
Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| title_fullStr |
Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| title_full_unstemmed |
Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies |
| title_sort |
modes of listening, national imaginaries, and cultural policies: trajectories of musical research in puerto rico and challenges in face of neoliberal colonial policies |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8863 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8863_oai |
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| _version_ |
1851374418019745792 |
| spelling |
I28-R145-8863_oai2025-11-17 Quintero Rivera, Mareia 2021-02-25 In less than five years, Puerto Rico has lived through a set of social experiences that exacerbated the paradoxes and contradictions of the country’s development model, anchored in our colonial subordination to the United States. What has been the evolution of musical research in times of disaster capitalism and accentuated austerity policies? To address this question, the article proposes a historical look at the writings and research on music, considering their contexts of enunciation. In what ways have popular musical practices been listened to by the State and the literate intelligentsia, and what role have narratives on music played in the country's sociocultural and political debates? What impact have these ways of listening had in the development of cultural and educational policies? What has been the role of the musicians themselves in the production of knowledge about musical practices and traditions, as well as in the configuration of evaluative schemes around them? How is the current situation transforming listening modes and what new approaches to the production of musical knowledge are emerging on the horizon? En menos de un lustro, Puerto Rico ha vivido un conjunto de experiencias sociales que han exacerbado las paradojas y contradicciones de lo que ha sido el modelo de desarrollo del país, anclado en nuestra centenaria subordinación colonial a los Estados Unidos. ¿Cuál ha sido el devenir de la investigación musical en tiempos de capitalismo del desastre y de acentuadas políticas de austeridad? Para acercarnos a responder dicha pregunta, este artículo propone una mirada histórica a los escritos e investigaciones sobre música en vínculo con sus contextos de enunciación. ¿De qué modos han sido escuchadas las prácticas musicales populares por parte del Estado y de la intelectualidad letrada y qué rol han jugado las narrativas sobre la música en los debates socioculturales y políticos del país? ¿Qué incidencias han tenido estos modos de escucha en el desarrollo de las políticas culturales y educativas? ¿Cuál ha sido el papel de los propios músicos en la producción de conocimientos sobre las prácticas y tradiciones musicales, así como en la configuración de esquemas valorativos en torno a éstas? ¿Cómo la coyuntura actual está transformando los modos de escucha y qué nuevos acercamientos a la producción de saberes musicales se perfilan en el horizonte? Em menos de cinco anos, Porto Rico viveu um conjunto de experiências sociais que exacerbaram os paradoxos e contradições do modelo de desenvolvimento do país, ancorado em nossa secular subordinação colonial aos Estados Unidos. Qual tem sido a evolução da pesquisa musical em tempos de capitalismo de desastre e políticas de austeridade? Para encarar essa questão, este artigo propõe um olhar histórico sobre os escritos e as pesquisas sobre música em seus contextos de enunciação. De que forma as práticas musicais populares têm sido ouvidas pelo Estado e pela intelectualidade letrada e qual o papel das narrativas sobre a música nos debates socioculturais e políticos do país? Qual o impacto dessas formas de escuta no desenvolvimento das políticas culturais e educacionais? Qual tem sido o papel dos próprios músicos na produção de conhecimento sobre as práticas e tradições musicais, bem como na configuração dos esquemas valorativos em torno delas? Como a situação atual está transformando os modos de escuta e que novas abordagens para a produção de saberes musicais estão surgindo no horizonte? application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8863 10.34096/oidopensante.v9n1.8863 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8863/8704 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8863/8725 Derechos de autor 2021 El oído pensante El oído pensante; Vol. 9 No. 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; Vol. 9 Núm. 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; v. 9 n. 1 (2021): Febrero 2021 - Agosto 2021 2250-7116 investigación musical Puerto Rico políticas culturales imaginarios nacionales pesquisa musical Porto Rico políticas culturais imaginários nacionais Music research Puerto Rico cultural policies national imaginaries Modes of Listening, National Imaginaries, and Cultural Policies: Trajectories of Musical Research in Puerto Rico and Challenges in Face of Neoliberal Colonial Policies Modos de escucha, imaginarios nacionales y políticas culturales: trayectorias de la investigación musical en Puerto Rico y desafíos ante las políticas del neoliberalismo colonial Modos de escuta, imaginários nacionais e políticas culturais: trajetórias da pesquisa musical em Porto Rico e desafios perante as políticas do neoliberalismo colonial info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8863_oai |