From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music
This paper explores the shift from the mechanical reproduction to the digital reproduction era, specifically in North-American popular music. The paper relies on concepts and ideas from the Frankfurt School, specifically from Theodor W. Adorno and Walter Benjamin’s works on the music industry. By us...
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| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8684 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8684_oai |
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I28-R145-8684_oai2025-11-17 González Sánchez, Igael 2021-02-25 This paper explores the shift from the mechanical reproduction to the digital reproduction era, specifically in North-American popular music. The paper relies on concepts and ideas from the Frankfurt School, specifically from Theodor W. Adorno and Walter Benjamin’s works on the music industry. By using their ideas as a starting point and as an interpretative framework, the nexus between musical manifestations is discussed, as well as technological and structural change. American popular music (specifically jazz and rap) and the record industry that emerged around it, are used as a good example of the incorporation of African American music to mechanical reproduction, and with the emergence of rap, of the shift to the era of digitally reproduced music. Este trabajo explora el paso de la reproducción mecánica a la era de la reproducción digital, en el ámbito especifico de la música popular norteamericana. Se retoman conceptos y algunas reflexiones iniciadas en la Escuela de Frankfurt por Theodor W. Adorno y Walter Benjamin, particularmente aquellas sobre la industria de la música. Estas se establecen como punto de partida y como marco interpretativo, a partir de los nexos entre las manifestaciones musicales y el cambio tecnológico y estructural. La música popular norteamericana (particularmente el jazz y el rap) y la industria discográfica que se edifica en torno a ella brindan uno de los mejores ejemplos sobre la incorporación de la música afronorteamericana a la llamada era de la reproducción mecánica y, con la emergencia del rap, a la música reproducida digitalmente. Este trabalho explora a passagem da reprodução mecânica para a era da reprodução digital, no campo específico da música popular norte-americana. São retomados conceitos e algumas reflexões iniciadas na Escola de Frankfurt por Theodor W. Adorno e Walter Benjamin, em particular sobre a indústria musical. Estas são estabelecidas como ponto de partida e como quadro interpretativo, a partir de articulações entre as manifestações musicais e a mudança tecnológica e estrutural. A música popular norte-americana (particularmente o jazz e o rap) e a indústria fonográfica que se constrói em torno dela fornecem um dos melhores exemplos da incorporação da música africana- americana na chamada era da reprodução mecânica e, com o surgimento do rap, na música digitalmente reproduzida. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8684 10.34096/oidopensante.v9n1.8684 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8684/8709 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8684/8730 Derechos de autor 2021 El oído pensante El oído pensante; Vol. 9 No. 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; Vol. 9 Núm. 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; v. 9 n. 1 (2021): Febrero 2021 - Agosto 2021 2250-7116 sociología de la música jazz rap industria musical música afroamericana Sociologia da música jazz rap indústria musical música africana-americana Sociology of music jazz rap music industry African American music From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music Del jazz al rap. De la reproducción mecánica a la reproducción digital de la música negra norteamericana Do jazz ao rap. Da reprodução mecânica à reprodução digital da música negra na América do Norte info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8684_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
sociología de la música jazz rap industria musical música afroamericana Sociologia da música jazz rap indústria musical música africana-americana Sociology of music jazz rap music industry African American music |
| spellingShingle |
sociología de la música jazz rap industria musical música afroamericana Sociologia da música jazz rap indústria musical música africana-americana Sociology of music jazz rap music industry African American music González Sánchez, Igael From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| topic_facet |
sociología de la música jazz rap industria musical música afroamericana Sociologia da música jazz rap indústria musical música africana-americana Sociology of music jazz rap music industry African American music |
| description |
This paper explores the shift from the mechanical reproduction to the digital reproduction era, specifically in North-American popular music. The paper relies on concepts and ideas from the Frankfurt School, specifically from Theodor W. Adorno and Walter Benjamin’s works on the music industry. By using their ideas as a starting point and as an interpretative framework, the nexus between musical manifestations is discussed, as well as technological and structural change. American popular music (specifically jazz and rap) and the record industry that emerged around it, are used as a good example of the incorporation of African American music to mechanical reproduction, and with the emergence of rap, of the shift to the era of digitally reproduced music. |
| format |
Artículo publishedVersion |
| author |
González Sánchez, Igael |
| author_facet |
González Sánchez, Igael |
| author_sort |
González Sánchez, Igael |
| title |
From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| title_short |
From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| title_full |
From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| title_fullStr |
From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| title_full_unstemmed |
From Jazz to Rap. From Mechanical to Digital Reproduction of American Black Music |
| title_sort |
from jazz to rap. from mechanical to digital reproduction of american black music |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8684 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8684_oai |
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