Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)

Mostrar todas las versiones(2)

Based on a study of the attempts to censor the contemporary dance works The Rite of Spring by Oscar Aráiz and Phaedra by Ana Itelman, we will try to analyze the role played by these artistic practices in the context of the widespread social protest which characterizes the late 1960s in Argentina. Th...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Vallejos, Juan Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Contemporary Dance and Politics
Onganiato
Aráiz
Censorship
Itelman
The Rite of Spring
Phaedra
Danza Contemporánea
Censura
Danza y Política
Arte y Política
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8639
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8639_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-8639_oai
record_format dspace
spelling I28-R145-8639_oai2025-11-17 Vallejos, Juan Ignacio Vallejos, Juan Ignacio 2020-10-11 Based on a study of the attempts to censor the contemporary dance works The Rite of Spring by Oscar Aráiz and Phaedra by Ana Itelman, we will try to analyze the role played by these artistic practices in the context of the widespread social protest which characterizes the late 1960s in Argentina. The aim is to analyze its critical potentiality on the basis of the model of a utopian subversion associated with a dispute over sexuality, the recovery of the body and the construction of subjectivity in the face of dictatorial power. Ultimately, the work will seek to reflect on the politicity of dance works, that is, on their ability for a political intervention in a specific historical context, while pointing out the difference between militant art and political art. A través de un estudio de los intentos de censura de las obras de danza contemporánea Consagración de la Primavera de Oscar Aráiz y Fedra de Ana Itelman, intentaremos analizar el lugar que ocuparon estas prácticas artísticas en el contexto de contestación social generalizada característico de fines de la década de 1960s en Argentina. Se tratará de analizar su potencialidad crítica a partir de la figura de una subversión utópica asociada a una disputa por la sexualidad, por la recuperación del cuerpo, y por la construcción de subjetividad frente al poder dictatorial. En última medida, el trabajo buscará reflexionar acerca de la politicidad de las obras de danza, es decir, de su capacidad de intervención política en un contexto histórico específico, señalando al mismo tiempo la diferencia entre arte militante y arte político. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8639 10.34096/tdf.n32.8639 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8639/8340 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8639/8481 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 32 (2020) 1669-6301 Contemporary Dance and Politics Onganiato Aráiz Censorship Itelman The Rite of Spring Phaedra Danza Contemporánea Onganiato Censura Danza y Política Arte y Política Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970) Danza, política y subversión utópica: "La Consagración de la primavera" de Oscar Aráiz y Fedra de Ana Itelman (1968-1970) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8639_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Contemporary Dance and Politics
Onganiato
Aráiz
Censorship
Itelman
The Rite of Spring
Phaedra
Danza Contemporánea
Onganiato
Censura
Danza y Política
Arte y Política
spellingShingle Contemporary Dance and Politics
Onganiato
Aráiz
Censorship
Itelman
The Rite of Spring
Phaedra
Danza Contemporánea
Onganiato
Censura
Danza y Política
Arte y Política
Vallejos, Juan Ignacio
Vallejos, Juan Ignacio
Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
topic_facet Contemporary Dance and Politics
Onganiato
Aráiz
Censorship
Itelman
The Rite of Spring
Phaedra
Danza Contemporánea
Onganiato
Censura
Danza y Política
Arte y Política
description Based on a study of the attempts to censor the contemporary dance works The Rite of Spring by Oscar Aráiz and Phaedra by Ana Itelman, we will try to analyze the role played by these artistic practices in the context of the widespread social protest which characterizes the late 1960s in Argentina. The aim is to analyze its critical potentiality on the basis of the model of a utopian subversion associated with a dispute over sexuality, the recovery of the body and the construction of subjectivity in the face of dictatorial power. Ultimately, the work will seek to reflect on the politicity of dance works, that is, on their ability for a political intervention in a specific historical context, while pointing out the difference between militant art and political art.
format Artículo
publishedVersion
author Vallejos, Juan Ignacio
Vallejos, Juan Ignacio
author_facet Vallejos, Juan Ignacio
Vallejos, Juan Ignacio
author_sort Vallejos, Juan Ignacio
title Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
title_short Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
title_full Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
title_fullStr Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
title_full_unstemmed Dance, Politics and Utopian Subversion: "The Rite of Spring" by Oscar Aráiz and Phaedra by Ana Itelman (1968-1970)
title_sort dance, politics and utopian subversion: "the rite of spring" by oscar aráiz and phaedra by ana itelman (1968-1970)
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8639
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8639_oai
work_keys_str_mv AT vallejosjuanignacio dancepoliticsandutopiansubversiontheriteofspringbyoscararaizandphaedrabyanaitelman19681970
AT vallejosjuanignacio dancepoliticsandutopiansubversiontheriteofspringbyoscararaizandphaedrabyanaitelman19681970
AT vallejosjuanignacio danzapoliticaysubversionutopicalaconsagraciondelaprimaveradeoscararaizyfedradeanaitelman19681970
AT vallejosjuanignacio danzapoliticaysubversionutopicalaconsagraciondelaprimaveradeoscararaizyfedradeanaitelman19681970
_version_ 1851376213127331840

Ejemplares similares