A Triptych of Political Violence in Colombia
In 2014, the Colombian company Mapa Teatro released the avant-garde play The unaccounted: a triptych, which was performed in very important artistic events in Colombia, Brazil and Europe until 2019. Staged as an ending of the trilogy Anatomy of political violence in Colombia, which was started by th...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8560 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8560_oai |
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I28-R145-8560_oai2025-11-17 Flórez Meza, Jaime Flórez Meza, Jaime 2021-05-23 In 2014, the Colombian company Mapa Teatro released the avant-garde play The unaccounted: a triptych, which was performed in very important artistic events in Colombia, Brazil and Europe until 2019. Staged as an ending of the trilogy Anatomy of political violence in Colombia, which was started by the company in 2010, this play links and faces up the ways of political violence in Colombia from the second half of Twentieth century so far: the guerrilla, drug trafficking and the paramilitary. One common factor in these problems is a disturbing relation between celebration and violence, made possible through three regimes of festive alteration. These would be fiesta as a revolution, as a boom and as passion. Therefore, the work shows that if something begins as a fiesta or celebration —be it intimate, private or public— it could end in tragedy as a result of political violence. At the same time, a fact of violence could be clothed with celebration. En 2014 la compañía colombiana Mapa Teatro estrenó el montaje escénico-visual Los incontados: un tríptico, el cual se presentó hasta 2019 en importantes eventos en Colombia, Brasil y Europa. Este proyecto artístico, que cierra la trilogía Anatomía de la violencia en Colombia que la compañía inició en 2010, enlaza y confronta tres formas en que ha discurrido la violencia política en Colombia desde la segunda mitad del siglo XX: la guerrilla, el narcotráfico y el paramilitarismo. Un común denominador en ellas es la perturbadora correspondencia entre fiesta y violencia a través de tres regímenes de alteración festiva: la fiesta-revolución, la fiesta-bonanza y la fiesta-pasión. El montaje muestra así que lo que empieza como una fiesta o una celebración —íntima, privada o pública— puede ser trágicamente alterado por esa violencia política. O que un hecho violento puede revestirse de celebración. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8560 10.34096/tdf.n33.8560 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8560/9134 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8560/9159 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 armed conflict fiesta revolution live art trilogy Armed Conflict Revolution Trilogy Fiesta artes vivas conflicto armado fiesta revolución trilogía A Triptych of Political Violence in Colombia Un tríptico de la violencia política en Colombia info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8560_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
armed conflict fiesta revolution live art trilogy Armed Conflict Revolution Trilogy Fiesta artes vivas conflicto armado fiesta revolución trilogía |
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armed conflict fiesta revolution live art trilogy Armed Conflict Revolution Trilogy Fiesta artes vivas conflicto armado fiesta revolución trilogía Flórez Meza, Jaime Flórez Meza, Jaime A Triptych of Political Violence in Colombia |
| topic_facet |
armed conflict fiesta revolution live art trilogy Armed Conflict Revolution Trilogy Fiesta artes vivas conflicto armado fiesta revolución trilogía |
| description |
In 2014, the Colombian company Mapa Teatro released the avant-garde play The unaccounted: a triptych, which was performed in very important artistic events in Colombia, Brazil and Europe until 2019. Staged as an ending of the trilogy Anatomy of political violence in Colombia, which was started by the company in 2010, this play links and faces up the ways of political violence in Colombia from the second half of Twentieth century so far: the guerrilla, drug trafficking and the paramilitary. One common factor in these problems is a disturbing relation between celebration and violence, made possible through three regimes of festive alteration. These would be fiesta as a revolution, as a boom and as passion. Therefore, the work shows that if something begins as a fiesta or celebration —be it intimate, private or public— it could end in tragedy as a result of political violence. At the same time, a fact of violence could be clothed with celebration. |
| format |
Artículo publishedVersion |
| author |
Flórez Meza, Jaime Flórez Meza, Jaime |
| author_facet |
Flórez Meza, Jaime Flórez Meza, Jaime |
| author_sort |
Flórez Meza, Jaime |
| title |
A Triptych of Political Violence in Colombia |
| title_short |
A Triptych of Political Violence in Colombia |
| title_full |
A Triptych of Political Violence in Colombia |
| title_fullStr |
A Triptych of Political Violence in Colombia |
| title_full_unstemmed |
A Triptych of Political Violence in Colombia |
| title_sort |
triptych of political violence in colombia |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8560 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8560_oai |
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