To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience

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In the Amarnian era, the ritual of the public appearance of the pharaoh through the palace window, accompanied by the royal family, can be interpreted as a monarchical control device but also as a performative component of social practices. The instructive experience is fundamental because it is wit...

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Autor principal: Yomaha, Silvana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8450_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-8450_oai
record_format dspace
spelling I28-R145-8450_oai2025-11-17 Yomaha, Silvana 2020-10-30 In the Amarnian era, the ritual of the public appearance of the pharaoh through the palace window, accompanied by the royal family, can be interpreted as a monarchical control device but also as a performative component of social practices. The instructive experience is fundamental because it is within this public act –depicted on the walls of the court officer private tombs– that the political, social, economic, and fundamentally symbolic relationships that characterize the Akhenaten’s reign, are shown. The main goal of this paper is to analyze the delivery of livelihoods and luxury items from the hands of the pharaoh to his most faithful servants as a ritual. It is intended to demonstrate the effectiveness of the material and symbolic power of the monarchy sustained by the bureaucracy and by the Aton divinity. All of this is manifested in the representation of the scene of giving rewards to priests, generals, and administrators from the window of appearance in the presence of an audience set up by key spectators (foreign ambassadors, bureaucrats, priests, soldiers, the community in general) to complete the effectiveness of the act. En época amarniana el ritual de aparición en público del faraón a través de la ventana del palacio, acompañado por la familia real, puede ser interpretado como un dispositivo de control monárquico pero también como un componente performativo de las prácticas sociales. Resulta fundamental la experiencia propedéutica debido a que es en el seno de este acto público —plasmado en las paredes de las tumbas privadas de los funcionarios de la corte— en donde se escenifican las relaciones políticas, sociales, económicas y fundamentalmente simbólicas que caracterizan al reinado de Akhenatón. El objetivo de este artículo es analizar la entrega de bienes de sustento y objetos de lujo de manos del faraón a sus servidores más fieles como un ritual. Se pretende demostrar la eficacia del poder material y simbólico de la monarquía sostenida por una burocracia y por la divinidad Atón. Todo esto se manifiesta en la representación de la escena de entrega de recompensas a sacerdotes, generales y administradores desde la ventana de aparición y ante la presencia de una audiencia configurada por espectadores clave (embajadores extranjeros, burócratas, sacerdotes, soldados, la comunidad en general), para completar la efectividad del acto. application/pdf https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450 10.34096/arqueologia.t26.n3.8450 spa Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450/7605 Derechos de autor 2020 Arqueología Arqueología; Vol. 26 No. 3 (2020): September-December; 143-165 Arqueología; Vol. 26 Núm. 3 (2020): septiembre-diciembre; 143-165 1853-8126 0327-5159 Ancient Egypt Funerary epigraphy Performance Antiguo Egipto Epigrafía funeraria Performance To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience Ver-se y ser visto. Una interpretación de las escenas de recompensa en la narrativa funeraria amarniana: la audiencia ‘habilitante’ info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8450_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
spellingShingle Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
Yomaha, Silvana
To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
topic_facet Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
description In the Amarnian era, the ritual of the public appearance of the pharaoh through the palace window, accompanied by the royal family, can be interpreted as a monarchical control device but also as a performative component of social practices. The instructive experience is fundamental because it is within this public act –depicted on the walls of the court officer private tombs– that the political, social, economic, and fundamentally symbolic relationships that characterize the Akhenaten’s reign, are shown. The main goal of this paper is to analyze the delivery of livelihoods and luxury items from the hands of the pharaoh to his most faithful servants as a ritual. It is intended to demonstrate the effectiveness of the material and symbolic power of the monarchy sustained by the bureaucracy and by the Aton divinity. All of this is manifested in the representation of the scene of giving rewards to priests, generals, and administrators from the window of appearance in the presence of an audience set up by key spectators (foreign ambassadors, bureaucrats, priests, soldiers, the community in general) to complete the effectiveness of the act.
format Artículo
publishedVersion
author Yomaha, Silvana
author_facet Yomaha, Silvana
author_sort Yomaha, Silvana
title To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_short To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_full To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_fullStr To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_full_unstemmed To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_sort to see and be seen. an interpretation of the reward scenes in the amarnian funerary narrative: the ‘enabling’ audience
publisher Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8450_oai
work_keys_str_mv AT yomahasilvana toseeandbeseenaninterpretationoftherewardscenesintheamarnianfunerarynarrativetheenablingaudience
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