Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress

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The famous Italian ballet Excelsior has been scarcely studied in the different works on dance history in Argentina. Until now, there are no publications that have studied in greater detail neither the staging of Excelsior in Argentina in 1883, nor its following versions. This first approach has two...

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Autor principal: González, Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESS
COLÓN THEATER
PROGRESO
TEATRO COLÓN
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8399
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8399_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-8399_oai
record_format dspace
spelling I28-R145-8399_oai2025-11-17 González, Ignacio González, Ignacio 2020-10-11 The famous Italian ballet Excelsior has been scarcely studied in the different works on dance history in Argentina. Until now, there are no publications that have studied in greater detail neither the staging of Excelsior in Argentina in 1883, nor its following versions. This first approach has two initial objectives: to account for the “model” version of the ballet –premiered at the Teatro alla Scala in Milan in 1881–  based on the analysis of documents and on the latest available academic research, and to use Excelsior as a starting point to approach the analysis of a historical period of Argentina: 1880-1916. En los distintos estudios sobre historia de la danza en Argentina, el ballet italiano Excelsior ha sido escasamente desarrollado. Hasta el momento no hay publicaciones que hayan estudiado con mayor detenimiento ni la escenificación de Excelsior en Argentina en 1883 ni tampoco las versiones siguientes. Este primer acercamiento tiene dos objetivos iniciales: dar cuenta de la versión modelo del ballet, estrenada en el Teatro alla Scala de Milán en 1881, a partir del análisis de documentos como así también de las últimas investigaciones académicas disponibles, y utilizar Excelsior como punto de partida para abordar el análisis de un período histórico de la Argentina: 1880-1916. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8399 10.34096/tdf.n32.8399 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8399/8338 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8399/8479 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 32 (2020) 1669-6301 EXCELSIOR BALLO GRANDE ARGENTINA PROGRESS COLÓN THEATER EXCELSIOR BALLO GRANDE ARGENTINA PROGRESO TEATRO COLÓN Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress Luces y sombras: "Excelsior" en Argentina y el humo del progreso info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8399_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESS
COLÓN THEATER
EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESO
TEATRO COLÓN
spellingShingle EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESS
COLÓN THEATER
EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESO
TEATRO COLÓN
González, Ignacio
González, Ignacio
Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
topic_facet EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESS
COLÓN THEATER
EXCELSIOR
BALLO GRANDE
ARGENTINA
PROGRESO
TEATRO COLÓN
description The famous Italian ballet Excelsior has been scarcely studied in the different works on dance history in Argentina. Until now, there are no publications that have studied in greater detail neither the staging of Excelsior in Argentina in 1883, nor its following versions. This first approach has two initial objectives: to account for the “model” version of the ballet –premiered at the Teatro alla Scala in Milan in 1881–  based on the analysis of documents and on the latest available academic research, and to use Excelsior as a starting point to approach the analysis of a historical period of Argentina: 1880-1916.
format Artículo
publishedVersion
author González, Ignacio
González, Ignacio
author_facet González, Ignacio
González, Ignacio
author_sort González, Ignacio
title Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
title_short Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
title_full Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
title_fullStr Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
title_full_unstemmed Lights and Shadows: "Excelsior" in Argentina and the Smoke of Progress
title_sort lights and shadows: "excelsior" in argentina and the smoke of progress
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8399
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8399_oai
work_keys_str_mv AT gonzalezignacio lightsandshadowsexcelsiorinargentinaandthesmokeofprogress
AT gonzalezignacio lightsandshadowsexcelsiorinargentinaandthesmokeofprogress
AT gonzalezignacio lucesysombrasexcelsiorenargentinayelhumodelprogreso
AT gonzalezignacio lucesysombrasexcelsiorenargentinayelhumodelprogreso
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