Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)

It is impossible to separate the understanding of modern Argentine history from the enormous flow of foreigners who arrived in the country between the last decades of the 19th century and the first decades of the 20th century. The vast majority of foreign workers came looking for a better life, bett...

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Autor principal: Shirkin, Susana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8248
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8248_oai
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spelling I28-R145-8248_oai2025-11-17 Shirkin, Susana Shirkin, Susana 2020-07-12 It is impossible to separate the understanding of modern Argentine history from the enormous flow of foreigners who arrived in the country between the last decades of the 19th century and the first decades of the 20th century. The vast majority of foreign workers came looking for a better life, better economic possibilities and insertion in the receiving society. However, others came to these lands only in passing, for a short time, often without speaking the language or knowing anyone: among these workers who suffered from the lack of protective laws, the prejudices of the natives, the abuses of employers, the indifference of their diplomatic legations, etc. was the artist. The present work constitutes an approximation to the situation of the artist who toured the theater scenes of Buenos Aires between 1900 and 1920, his adventures and misadventures as a worker that, given his foreign status, were tougher than the already dramatic ones of his local colleagues Es imposible separar la comprensión de la historia argentina moderna de la presencia del enorme flujo de extranjeros que arribaron al país entre las últimas décadas del siglo XIX y las primeras del XX. La gran mayoría de los trabajadores extranjeros llegaban buscando una vida mejor, mejores posibilidades económicas y la inserción en la sociedad receptora. Sin embargo, otros llegaron a estas tierras solo de paso, por corto  tiempo, muchas veces sin hablar el idioma ni conocer a nadie: entre estos trabajadores que padecieron la falta de leyes protectoras, los prejuicios de los nativos, los abusos de patrones y empresarios, la indiferencia de sus legaciones diplomáticas, etc., estaba el artista. El presente trabajo constituye una aproximación a la situación del artista que recorrió los escenarios teatrales de Buenos Aires entre 1900 y 1920, sus peripecias y desventuras como trabajador que -dada su extranjería-  fueron más duras que las ya dramáticas de sus colegas locales application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8248 10.34096/tdf.n31.8248 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8248/7250 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8248/7251 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 31 (2020) 1669-6301 Foreign Artist Work Defenselessness Abuse Caras y Caretas Fray Mocho extranjero artista trabajo indefensión abuso Caras y Caretas Fray Mocho Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920) El trabajo extranjero en los escenarios de Buenos Aires a través de Caras y Caretas y Fray Mocho (1900 – 1920) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8248_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Foreign
Artist
Work
Defenselessness
Abuse
Caras y Caretas
Fray Mocho
extranjero
artista
trabajo
indefensión
abuso
Caras y Caretas
Fray Mocho
spellingShingle Foreign
Artist
Work
Defenselessness
Abuse
Caras y Caretas
Fray Mocho
extranjero
artista
trabajo
indefensión
abuso
Caras y Caretas
Fray Mocho
Shirkin, Susana
Shirkin, Susana
Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
topic_facet Foreign
Artist
Work
Defenselessness
Abuse
Caras y Caretas
Fray Mocho
extranjero
artista
trabajo
indefensión
abuso
Caras y Caretas
Fray Mocho
description It is impossible to separate the understanding of modern Argentine history from the enormous flow of foreigners who arrived in the country between the last decades of the 19th century and the first decades of the 20th century. The vast majority of foreign workers came looking for a better life, better economic possibilities and insertion in the receiving society. However, others came to these lands only in passing, for a short time, often without speaking the language or knowing anyone: among these workers who suffered from the lack of protective laws, the prejudices of the natives, the abuses of employers, the indifference of their diplomatic legations, etc. was the artist. The present work constitutes an approximation to the situation of the artist who toured the theater scenes of Buenos Aires between 1900 and 1920, his adventures and misadventures as a worker that, given his foreign status, were tougher than the already dramatic ones of his local colleagues
format Artículo
publishedVersion
author Shirkin, Susana
Shirkin, Susana
author_facet Shirkin, Susana
Shirkin, Susana
author_sort Shirkin, Susana
title Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
title_short Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
title_full Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
title_fullStr Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
title_full_unstemmed Foreign Work on the Stages of Buenos Aires through Caras y Caretas and Fray Mocho (1900 - 1920)
title_sort foreign work on the stages of buenos aires through caras y caretas and fray mocho (1900 - 1920)
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8248
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8248_oai
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