Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern
Based on the idea of procedure, both regarding creation and staging, we seek to analyze some formal constructions by three important creators of Buenos Aires theater today from a sociological perspective. If we follow the field model developed by Bourdieu, the focus of this article can be set in the...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8168 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8168_oai |
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I28-R145-8168_oai2025-11-17 Rauschenberg, Nicholas Dieter Berdaguer Rauschenberg, Nicholas Dieter Berdaguer 2020-10-11 Based on the idea of procedure, both regarding creation and staging, we seek to analyze some formal constructions by three important creators of Buenos Aires theater today from a sociological perspective. If we follow the field model developed by Bourdieu, the focus of this article can be set in the “art for art’s sake” pole. However, we are especially interested in addressing the practices of artists from the perspective of a pragmatic sociology in Boltanski's terms, which is why we will seek to outline the methodological and aesthetic differences of the creators. To do so, we will address the experiences of three artists who reject realism as "mimetic representation" in favor of a reality of art, according to Danto’s well-known formula. Firstly, Matías Feldman and his methodology of superimposed and in transit expressive states for acting and of technical imagination for the writing and formal composition of works. Secondly, Guillermo Cacace, who seeks in his workshops to develop a "connection" or an "in-between" that builds a form of acting based on the bond between actors regardless of the text’s plot. Finally, we will approach the compositional strategies of Mariana Obersztern who opens the construction of expressive states towards a notion of performance. A partir de la idea de procedimiento tanto de creación como de puesta en escena, buscamos en el presente artículo mostrar algunas construcciones formales de tres importantes creadores del teatro porteño del presente desde una perspectiva sociológica. Nuestro recorte enfoca el polo “arte por el arte” si seguimos el modelo de campo trabajado por Bourdieu. Sin embargo, nos interesa sobre todo abordar las prácticas de los artistas en el sentido de una sociología pragmática en los términos de Boltanski, por lo cual buscaremos esbozar las diferencias metodológicas y estéticas de los creadores. Así, abordaremos tres experiencias de teatreros que rechazan el realismo como “representación mimética” en favor de una realidad del arte, según la conocida fórmula de Danto. El primero es Matías Feldman y su metodología de los estados expresivos sobrepuestos y en tránsito para la actuación y, luego, la imaginación técnica para la escritura y composición formal de obras. El segundo es Guillermo Cacace, quien busca en sus talleres desarrollar una “conexión” o un “entre” que construya una actuación desde el vínculo actoral por fuera de la argumentación del texto. Finalmente, abordaremos las estrategias compositivas de Mariana Obersztern que abre la construcción de estados expresivos hacia una noción de performance. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8168 10.34096/tdf.n32.8168 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8168/8336 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8168/8477 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 32 (2020) 1669-6301 Sociology of Buenos Aires Theatre Procedure Feldman Cacace Obersztern Sociología del tetro de Buenos Aires Procedimiento Matías Feldman Guillermo Cacace Mariana Obersztern Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern Para una sociología del teatro-arte porteño: un recorte desde las prácticas. : Procedimientos en Matías Feldman, Guillermo Cacace y Mariana Obersztern info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8168_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Sociology of Buenos Aires Theatre Procedure Feldman Cacace Obersztern Sociología del tetro de Buenos Aires Procedimiento Matías Feldman Guillermo Cacace Mariana Obersztern |
| spellingShingle |
Sociology of Buenos Aires Theatre Procedure Feldman Cacace Obersztern Sociología del tetro de Buenos Aires Procedimiento Matías Feldman Guillermo Cacace Mariana Obersztern Rauschenberg, Nicholas Dieter Berdaguer Rauschenberg, Nicholas Dieter Berdaguer Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| topic_facet |
Sociology of Buenos Aires Theatre Procedure Feldman Cacace Obersztern Sociología del tetro de Buenos Aires Procedimiento Matías Feldman Guillermo Cacace Mariana Obersztern |
| description |
Based on the idea of procedure, both regarding creation and staging, we seek to analyze some formal constructions by three important creators of Buenos Aires theater today from a sociological perspective. If we follow the field model developed by Bourdieu, the focus of this article can be set in the “art for art’s sake” pole. However, we are especially interested in addressing the practices of artists from the perspective of a pragmatic sociology in Boltanski's terms, which is why we will seek to outline the methodological and aesthetic differences of the creators. To do so, we will address the experiences of three artists who reject realism as "mimetic representation" in favor of a reality of art, according to Danto’s well-known formula. Firstly, Matías Feldman and his methodology of superimposed and in transit expressive states for acting and of technical imagination for the writing and formal composition of works. Secondly, Guillermo Cacace, who seeks in his workshops to develop a "connection" or an "in-between" that builds a form of acting based on the bond between actors regardless of the text’s plot. Finally, we will approach the compositional strategies of Mariana Obersztern who opens the construction of expressive states towards a notion of performance. |
| format |
Artículo publishedVersion |
| author |
Rauschenberg, Nicholas Dieter Berdaguer Rauschenberg, Nicholas Dieter Berdaguer |
| author_facet |
Rauschenberg, Nicholas Dieter Berdaguer Rauschenberg, Nicholas Dieter Berdaguer |
| author_sort |
Rauschenberg, Nicholas Dieter Berdaguer |
| title |
Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| title_short |
Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| title_full |
Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| title_fullStr |
Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| title_full_unstemmed |
Towards a Sociology of Buenos Aires Art-Theater: an Approach based on Practices. : Procedures by Matías Feldman, Guillermo Cacace and Mariana Obersztern |
| title_sort |
towards a sociology of buenos aires art-theater: an approach based on practices. : procedures by matías feldman, guillermo cacace and mariana obersztern |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2020 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8168 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8168_oai |
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