Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926)
The main objective of this paper is to rethink traditional approaches by music magazines and conceive of them as social action devices and practices that gave distinctive characteristics to musical cultures and took place in different spheres of public opinion. The analysis is based on the ...
Guardado en:
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8038 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8038_oai |
| Aporte de: |
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I28-R145-8038_oai |
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| record_format |
dspace |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Revistas de música historia cultural Asociación Wagneriana Buenos Aires inicios siglo XX revistas de música; história cultural; Asocación Wagneriana; Buenos Aires; início do século XX Music magazines; cultural history; Asociación Wagneriana; Buenos Aires; early 20th century |
| spellingShingle |
Revistas de música historia cultural Asociación Wagneriana Buenos Aires inicios siglo XX revistas de música; história cultural; Asocación Wagneriana; Buenos Aires; início do século XX Music magazines; cultural history; Asociación Wagneriana; Buenos Aires; early 20th century Irurzun, María Josefina Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| topic_facet |
Revistas de música historia cultural Asociación Wagneriana Buenos Aires inicios siglo XX revistas de música; história cultural; Asocación Wagneriana; Buenos Aires; início do século XX Music magazines; cultural history; Asociación Wagneriana; Buenos Aires; early 20th century |
| description |
The main objective of this paper is to rethink traditional approaches by music magazines and conceive of them as social action devices and practices that gave distinctive characteristics to musical cultures and took place in different spheres of public opinion. The analysis is based on the Revista de la Asociación Wagneriana de Buenos Aires (published by the association of the same name), starting from the periodization of its vital or editorial phases, taking into account the plurality of contexts and the aspects related to them, their collective organization as a space of enunciation, their style, resources, etc. It was found that, while the institutional dependency of the publication conditioned its form and content, it also operated as an entity in itself (“a forum for art and culture”). Finally, attention is drawn to the multiple possibilities of researching music journals (often conceived as “manifestations” of processes occurring outside them), the dynamics of their changes and interventions, and the different meanings granted through time-, that turn them into cultural magazines. |
| format |
Artículo publishedVersion |
| author |
Irurzun, María Josefina |
| author_facet |
Irurzun, María Josefina |
| author_sort |
Irurzun, María Josefina |
| title |
Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| title_short |
Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| title_full |
Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| title_fullStr |
Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| title_full_unstemmed |
Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) |
| title_sort |
resources for a history of musical cultures: the revista de la asociación wagneriana de buenos aires (1914-1926) |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2020 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8038 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8038_oai |
| work_keys_str_mv |
AT irurzunmariajosefina resourcesforahistoryofmusicalculturestherevistadelaasociacionwagnerianadebuenosaires19141926 AT irurzunmariajosefina recursosparaunahistoriadelasculturasmusicaleslarevistadelaasociacionwagnerianadebuenosaires19141926 AT irurzunmariajosefina recursosparaumahistoriadasculturasmusicaisarevistadelaasociacionwagnerianadebuenosaires19141926 |
| _version_ |
1851374416058908672 |
| spelling |
I28-R145-8038_oai2025-11-17 Irurzun, María Josefina 2020-08-06 The main objective of this paper is to rethink traditional approaches by music magazines and conceive of them as social action devices and practices that gave distinctive characteristics to musical cultures and took place in different spheres of public opinion. The analysis is based on the Revista de la Asociación Wagneriana de Buenos Aires (published by the association of the same name), starting from the periodization of its vital or editorial phases, taking into account the plurality of contexts and the aspects related to them, their collective organization as a space of enunciation, their style, resources, etc. It was found that, while the institutional dependency of the publication conditioned its form and content, it also operated as an entity in itself (“a forum for art and culture”). Finally, attention is drawn to the multiple possibilities of researching music journals (often conceived as “manifestations” of processes occurring outside them), the dynamics of their changes and interventions, and the different meanings granted through time-, that turn them into cultural magazines. El objetivo general del presente trabajo es complejizar los abordajes tradicionales de las revistas de música para concebirlas como dispositivos y prácticas de acción social que caracterizan a las culturas musicales, así como interpelan diversas esferas de la opinión pública. Para ello, se analiza el caso de la Revista de la Asociación Wagneriana de Buenos Aires (publicada por la Asociación homónima), a partir de la periodización de los momentos vitales o editoriales de la misma, atendiendo a la pluralidad de contextos y los aspectos relacionados con ellos, su forma de organización colectiva como espacio de enunciación, sus modos de ser, estilo, recursos, etc. Se argumenta que, si bien la dependencia de la publicación respecto a la entidad condicionó su forma y contenido, operó también como una institución en sí misma (“una tribuna de arte y cultura”). Por último, se señalan las múltiples posibilidades de indagación de las revistas de música (con frecuencia concebidas como “manifestaciones” de procesos que ocurren por fuera de ellas), la dinámica de sus cambios e intervenciones y las distintas significaciones –otorgadas a través del tiempo–, que las convierten también en revistas culturales. O objetivo geral do presente trabalho é complexificar as abordagens tradicionais das revistas de música para concebê-las como dispositivos e práticas de ação social que caracterizam as culturas musicais, assim como interpelam diversas esferas de opinião pública. Para tal, analisa-se o caso da Revista de la Asociación Wagneriana de Buenos Aires (publicada pela associação homónima), a partir da periodização dos momentos vitais ou editoriais da mesma, atendendo à pluralidade de contextos e aspectos relacionados com eles, sua forma de organização coletiva como espaço de enunciação, seus modos de ser, estilo, recursos, etc. Argumenta-se que, embora a dependência da revista em relação à entidade condicionou a sua forma e conteúdo, operou também como uma instituição em si mesma (“uma tribuna de arte e cultura”). Por último, assinala-se a dificuldade inerente à indagação das revistas de música (com frequência concebidas como “manifestações” de processos que ocorrem por fora delas), a dinâmica de suas mudanças e intervenções e as diferentes significações –outorgadas através do tempo– que as convertem também em revistas culturais. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8038 10.34096/oidopensante.v8n2.8038 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8038/7375 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8038/7510 Derechos de autor 2020 El oído pensante El oído pensante; Vol. 8 No. 2 (2020): Agosto 2020 - Enero 2021 El oído pensante; Vol. 8 Núm. 2 (2020): Agosto 2020 - Enero 2021 El oído pensante; v. 8 n. 2 (2020): Agosto 2020 - Enero 2021 2250-7116 Revistas de música historia cultural Asociación Wagneriana Buenos Aires inicios siglo XX revistas de música; história cultural; Asocación Wagneriana; Buenos Aires; início do século XX Music magazines; cultural history; Asociación Wagneriana; Buenos Aires; early 20th century Resources for a History of Musical Cultures: The Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) Recursos para una historia de las culturas musicales: la Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) Recursos para uma história das culturas musicais: a Revista de la Asociación Wagneriana de Buenos Aires (1914-1926) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8038_oai |