Relational Dance: Active Audience in Contemporary Performance
The present article promotes a rethinking of contemporary dance in order to move it towards new stage conventions which are capable of actively involving the spectator in creative processes, production and creation. To do so, it focuses on the elaboration of a new category of Relational Dance. For t...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7633 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7633_oai |
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I28-R145-7633_oai2025-11-17 Ordoñez-Matute, Rigoberto Torres-Toukoumidis, Angel Torres-Toukoumidis, Angel 2020-07-06 The present article promotes a rethinking of contemporary dance in order to move it towards new stage conventions which are capable of actively involving the spectator in creative processes, production and creation. To do so, it focuses on the elaboration of a new category of Relational Dance. For this purpose, the paper analyzes a range of related topics: the change of traditional scenic convention from the perspective of theatricality; spatiality as a containment for a change in the role of the spectator; relational dramaturgy as a constructor of scenic interstices between stage and spectator and the functionality of dance towards new cultural structures of movement and action. This research is based on a qualitative analysis of documentation and scenic praxis, since developing the concept of Relational Dance implies the need to transform references that come from other scenic perspectives and to also reflect on the current scenic processes that give the spectator an action, allowing him to discover levels of relationship and annexation to the process of representation from his subjectivity; processes capable of structuring devices of a relational nature and tracing new perceptions between the limits of art and life, offering a new approach to its construction and dissemination on current stages. El presente artículo propone repensar a la danza contemporánea con el objetivo de trasladarla hacia nuevas convenciones escénicas capaces de vincular al espectador de forma activa en procesos creativos, de producción y creación enfocado hacia la elaboración de una nueva categoría de Danza Relacional. En este sentido se analiza el cambio de convención escénica tradicional desde la mirada de la teatralidad; la espacialidad como contención para un cambio de rol del espectador; la dramaturgia relacional como constructora de intersticios escénicos entre escena-espectador y la funcionalidad de la danza hacia nuevas estructuras culturales de movimiento y acción. Esta investigación se basa en un análisis cualitativo desde la documentación y la praxis escénica, dado que la Danza Relacional implica el hecho de poder configurarla mediante la transformación de referencias que provienen desde otras perspectivas escénicas, proponiendo así reflexionar sobre los procesos escénicos actuales, que otorgan un accionar al espectador, permitiéndole descubrir niveles de relación y de anexión al proceso de la representación desde su subjetividad, capaces de estructurar dispositivos de carácter relacional y trazar nuevas percepciones entre los límites del arte y la vida, brindando un nuevo enfoque para su construcción y difusión en las escénicas actuales. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7633 10.34096/tdf.n31.7633 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7633/7234 https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7633/7235 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 31 (2020) 1669-6301 relational dance relational dramaturgy spectator contemporary dance cultural choreographic structures Danza Relacional dramaturgia relacional espectador danza contemporánea estructuras coreográficas culturales Relational Dance: Active Audience in Contemporary Performance Danza Relacional: Audiencia activa en la expresión de arte escénica contemporánea info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7633_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
| repository_str |
R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
relational dance relational dramaturgy spectator contemporary dance cultural choreographic structures Danza Relacional dramaturgia relacional espectador danza contemporánea estructuras coreográficas culturales |
| spellingShingle |
relational dance relational dramaturgy spectator contemporary dance cultural choreographic structures Danza Relacional dramaturgia relacional espectador danza contemporánea estructuras coreográficas culturales Ordoñez-Matute, Rigoberto Torres-Toukoumidis, Angel Torres-Toukoumidis, Angel Relational Dance: Active Audience in Contemporary Performance |
| topic_facet |
relational dance relational dramaturgy spectator contemporary dance cultural choreographic structures Danza Relacional dramaturgia relacional espectador danza contemporánea estructuras coreográficas culturales |
| description |
The present article promotes a rethinking of contemporary dance in order to move it towards new stage conventions which are capable of actively involving the spectator in creative processes, production and creation. To do so, it focuses on the elaboration of a new category of Relational Dance. For this purpose, the paper analyzes a range of related topics: the change of traditional scenic convention from the perspective of theatricality; spatiality as a containment for a change in the role of the spectator; relational dramaturgy as a constructor of scenic interstices between stage and spectator and the functionality of dance towards new cultural structures of movement and action. This research is based on a qualitative analysis of documentation and scenic praxis, since developing the concept of Relational Dance implies the need to transform references that come from other scenic perspectives and to also reflect on the current scenic processes that give the spectator an action, allowing him to discover levels of relationship and annexation to the process of representation from his subjectivity; processes capable of structuring devices of a relational nature and tracing new perceptions between the limits of art and life, offering a new approach to its construction and dissemination on current stages. |
| format |
Artículo publishedVersion |
| author |
Ordoñez-Matute, Rigoberto Torres-Toukoumidis, Angel Torres-Toukoumidis, Angel |
| author_facet |
Ordoñez-Matute, Rigoberto Torres-Toukoumidis, Angel Torres-Toukoumidis, Angel |
| author_sort |
Ordoñez-Matute, Rigoberto |
| title |
Relational Dance: Active Audience in Contemporary Performance |
| title_short |
Relational Dance: Active Audience in Contemporary Performance |
| title_full |
Relational Dance: Active Audience in Contemporary Performance |
| title_fullStr |
Relational Dance: Active Audience in Contemporary Performance |
| title_full_unstemmed |
Relational Dance: Active Audience in Contemporary Performance |
| title_sort |
relational dance: active audience in contemporary performance |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2020 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7633 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7633_oai |
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AT ordonezmatuterigoberto relationaldanceactiveaudienceincontemporaryperformance AT torrestoukoumidisangel relationaldanceactiveaudienceincontemporaryperformance AT torrestoukoumidisangel relationaldanceactiveaudienceincontemporaryperformance AT ordonezmatuterigoberto danzarelacionalaudienciaactivaenlaexpresiondearteescenicacontemporanea AT torrestoukoumidisangel danzarelacionalaudienciaactivaenlaexpresiondearteescenicacontemporanea AT torrestoukoumidisangel danzarelacionalaudienciaactivaenlaexpresiondearteescenicacontemporanea |
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