Homophobia and Chilean New Song
This article aims to demonstrate that homophobia shaped not only the lives of Chilean New Song artists, but also the discourses that later researchers have constructed when writing about the movement. On the one hand, I explore the homophobia that existed during the peak years of Chilean New Song, i...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7560 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7560_oai |
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I28-R145-7560_oai2025-11-17 Party, Daniel 2019-02-01 This article aims to demonstrate that homophobia shaped not only the lives of Chilean New Song artists, but also the discourses that later researchers have constructed when writing about the movement. On the one hand, I explore the homophobia that existed during the peak years of Chilean New Song, in Chilean society in general as well as within the movement. With regards to this historic homophobia, the objective is to foreground the impact it had on musicians’ lives and the strategies they developed to cope with it. On the other, I document the ways in which homosexuality was, and to a large degree still is concealed in studies of Chilean New Song. I argue that this historiographic homophobia results in an archive with important imprecisions and incoherencies. My ultimate objective is to demonstrate that we have more to gain than to lose if we acknowledge the sexual diversity that existed within Chilean New Song. Este artículo busca demostrar que la homofobia marcó no solo las vidas de los artistas de la Nueva Canción Chilena, sino también los discursos que los investigadores posteriores hemos construido al escribir sobre el movimiento. Por una parte, abordo la homofobia que existía durante el periodo de auge de la Nueva Canción Chilena, tanto en la sociedad chilena en general como dentro del movimiento. En cuanto a esta homofobia histórica, el objetivo es relevar el impacto que esta tuvo en las vidas de los artistas y las estrategias que ellos desarrollaron para sobrellevarla. Por otra, documento los modos en que la homosexualidad fue y, en buena medida, sigue siendo ocultada en las investigaciones sobre la Nueva Canción Chilena. Argumento que esta homofobia historiográfica se traduce en un archivo con importantes imprecisiones e incoherencias. Mi objetivo último es demostrar que tenemos más que ganar que perder si reconocemos la diversidad sexual que existió dentro de la Nueva Canción Chilena. Este artigo procura demonstrar que a homofobia marcou não só as vidas dos artistas da Nova Canção Chilena, mas também os discursos que os pesquisadores têm construído ao escrever sobre o movimento. Por um lado, abordo a homofobia que existia durante o período do auge da Nova Canção Chilena, tanto na sociedade chilena em geral como dentro do movimento. No que se refere a esta homofobia histórica, o objetivo é evidenciar o impacto que ela teve nas vidas dos artistas e as estratégias que eles desenvolveram para superá-la. Por outro lado, documento os modos por meio dos quais a homossexualidade foi e, em grande parte, continua a ser ocultada nas investigações sobre a Nova Canção Chilena. Argumento que esta homofobia historiográfica se traduz num arquivo com importantes imprecisões e incoerências. O meu objetivo final é demonstrar que temos mais a ganhar do que a perder se reconhecermos a diversidade sexual que existiu no âmbito da Nova Canção Chilena. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7560 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7560/6772 El oído pensante; Vol. 7 No. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; Vol. 7 Núm. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; v. 7 n. 2 (2019): Agosto 2019 - Enero 2020 2250-7116 música sexualidad Unidad Popular historiografía música sexualidade Unidade Popular historiografia music sexuality Popular Unity historiography Homophobia and Chilean New Song Homofobia y la Nueva Canción Chilena Homofobia e a Nova Canção Chilena info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7560_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
música sexualidad Unidad Popular historiografía música sexualidade Unidade Popular historiografia music sexuality Popular Unity historiography |
| spellingShingle |
música sexualidad Unidad Popular historiografía música sexualidade Unidade Popular historiografia music sexuality Popular Unity historiography Party, Daniel Homophobia and Chilean New Song |
| topic_facet |
música sexualidad Unidad Popular historiografía música sexualidade Unidade Popular historiografia music sexuality Popular Unity historiography |
| description |
This article aims to demonstrate that homophobia shaped not only the lives of Chilean New Song artists, but also the discourses that later researchers have constructed when writing about the movement. On the one hand, I explore the homophobia that existed during the peak years of Chilean New Song, in Chilean society in general as well as within the movement. With regards to this historic homophobia, the objective is to foreground the impact it had on musicians’ lives and the strategies they developed to cope with it. On the other, I document the ways in which homosexuality was, and to a large degree still is concealed in studies of Chilean New Song. I argue that this historiographic homophobia results in an archive with important imprecisions and incoherencies. My ultimate objective is to demonstrate that we have more to gain than to lose if we acknowledge the sexual diversity that existed within Chilean New Song. |
| format |
Artículo publishedVersion |
| author |
Party, Daniel |
| author_facet |
Party, Daniel |
| author_sort |
Party, Daniel |
| title |
Homophobia and Chilean New Song |
| title_short |
Homophobia and Chilean New Song |
| title_full |
Homophobia and Chilean New Song |
| title_fullStr |
Homophobia and Chilean New Song |
| title_full_unstemmed |
Homophobia and Chilean New Song |
| title_sort |
homophobia and chilean new song |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7560 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7560_oai |
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AT partydaniel homophobiaandchileannewsong AT partydaniel homofobiaylanuevacancionchilena AT partydaniel homofobiaeanovacancaochilena |
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1851374412721291264 |