Literature Review of the Brazilian Music History Based on the Historiographical Theory of Jörn Rüsen
This article analyzes four narratives of the Brazilian music history, using to this purpose the typology of constitutions of meaning by Jörn Rüsen. The analysis will focus on the premises of the narrations about the Brazilian musical past. The goal is to understand the position of the authors in rel...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Portugués |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
|
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7526 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7526_oai |
| Aporte de: |
| Sumario: | This article analyzes four narratives of the Brazilian music history, using to this purpose the typology of constitutions of meaning by Jörn Rüsen. The analysis will focus on the premises of the narrations about the Brazilian musical past. The goal is to understand the position of the authors in relation to the musical experience in Brazil, their relationship with nationalism and their concepts about music. Finally, the analysis intends to motivate reflections about the methodology of current musical historiography. |
|---|