For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa
The text postulates a model of a historico-anthropological nature for understanding the musical relationships from Brazil, Portugal, and Atlantic lusophone Africa during the XVII and XIX centuries. The model stars from the constitution of the Atlantic lusophone space as one of continual sociocultura...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Portugués |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7525 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7525_oai |
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I28-R145-7525_oai2025-11-17 Menezes Bastos, Rafael José de 2016-08-01 The text postulates a model of a historico-anthropological nature for understanding the musical relationships from Brazil, Portugal, and Atlantic lusophone Africa during the XVII and XIX centuries. The model stars from the constitution of the Atlantic lusophone space as one of continual sociocultural relationships in general and musical in particular up to the first decades of the XIX century and even before. Those musical relationships are based on the existence of vast transatlantic system of musical and dance genres connected through historic and structural transformations. Because it belongs to that system, the lundu-modinha-fado transformation system will be studied, with emphasis on Bazilian dance and Portuguese song. The article elaborates the concept of “musical genre” from the notions of Mikhail Bakhtin´s “discursive genre” and Claude Lévi-Strauss and Marshall Sahlins’s “transformation”. El texto formula un modelo de naturaleza histórico-cultural para la comprensión de las relaciones musicales entre Brasil, Portugal y el África atlántica lusófona durante los siglos XVIII y XIX. El modelo tiene como punto de partida la constitución del Atlántico lusófono como un espacio de continuas relaciones socioculturales en general y musicales en particular, hasta las primeras décadas del siglo XIX, e incluso antes. Esas relaciones musicales se basan en la existencia de un vasto sistema transatlántico de géneros musicales y dancísticos conectados a través de transformaciones históricas y estructurales. Como integrante de ese sistema será estudiado el sistema de transformaciones lundu-modinha-fado, con énfasis en la danza brasilera y la canción portuguesa. El artículo elabora el concepto de “género musical” a partir de las nociones de “género discursivo” de Mikhail Bakhtin y de “transformación” de Claude Lévi-Strauss y Marshall Sahlins. O texto objetiva a formulação de um modelo, de natureza histórico-cultural, para a compreensão das relações musicais entre o Brasil, Portugal e a África Atlântica lusófona durante os séculos XVIII e XIX. O modelo tem como ponto de partida a constituição do Atlântico lusófono como um espaço de contínuas relações sócio-culturais em geral e especificamente musicais até àsprimeiras décadas do século XIX e mesmo adiante. As relações musicais aí incluídas baseiam-se na existência de um vasto sistema transatlântico de gêneros músico-dançantes, conectados através de transformações históricas e estruturais. Como integrante desse sistema, aqui será estudado o sistema de transformações lundu-modinha-fado, este último gênero envolvendo a dança brasileira e a canção portuguesa. O artigo elabora o conceito de gênero musical com base na noção de gênero de discurso, de Mikhail Bakhtin, e o de transformação, a partir de Claude Lévi-Strauss e Marshall Sahlins. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7525 por Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7525/6734 El oído pensante; Vol. 4 No. 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; Vol. 4 Núm. 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; v. 4 n. 1 (2016): Febrero 2016 - Julio 2016 2250-7116 For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa Para la construcción de un modelo histórico-antropológico de las relaciones musicales Brasil/Portugal/África: el sistema de transformaciones lundumodinha-fado Para a construção de um modelo histórico-antropológico das relações musicais Brasil/Portugal/África: o sistema de transformações lundu-modinha-fado info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7525_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Portugués |
| orig_language_str_mv |
por |
| description |
The text postulates a model of a historico-anthropological nature for understanding the musical relationships from Brazil, Portugal, and Atlantic lusophone Africa during the XVII and XIX centuries. The model stars from the constitution of the Atlantic lusophone space as one of continual sociocultural relationships in general and musical in particular up to the first decades of the XIX century and even before. Those musical relationships are based on the existence of vast transatlantic system of musical and dance genres connected through historic and structural transformations. Because it belongs to that system, the lundu-modinha-fado transformation system will be studied, with emphasis on Bazilian dance and Portuguese song. The article elaborates the concept of “musical genre” from the notions of Mikhail Bakhtin´s “discursive genre” and Claude Lévi-Strauss and Marshall Sahlins’s “transformation”. |
| format |
Artículo publishedVersion |
| author |
Menezes Bastos, Rafael José de |
| spellingShingle |
Menezes Bastos, Rafael José de For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| author_facet |
Menezes Bastos, Rafael José de |
| author_sort |
Menezes Bastos, Rafael José de |
| title |
For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| title_short |
For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| title_full |
For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| title_fullStr |
For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| title_full_unstemmed |
For the Construction of a Historico-anthropological Model of Musical Relationships between Brazil, Portugal, and Africa |
| title_sort |
for the construction of a historico-anthropological model of musical relationships between brazil, portugal, and africa |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2016 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7525 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7525_oai |
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