Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology

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This article aims to present the multiple points of view contained in the same Participatory Action Research carried out by the Research Group on Ethnomusicology Dona Ivone Lara, created within the scope of the doctoral research of the PPGM-UNIRIO student Pedro Mendonça. The group performs ethnograp...

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Autores principales: Raul, Jhenifer, Assis, Lucas, Ferreira, Matheus, Mendonça, Pedro, Yves, Raphaela
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7479
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7479_oai
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description This article aims to present the multiple points of view contained in the same Participatory Action Research carried out by the Research Group on Ethnomusicology Dona Ivone Lara, created within the scope of the doctoral research of the PPGM-UNIRIO student Pedro Mendonça. The group performs ethnographic work around and along with the Sarau Divergente, a street event which a sarau in Cinelândia, downtown Río de Janeiro, has been holding since 5 years ago, and which is managed primarily by professionals of the Carioca funk genre, but not limited to this musical genre. It is a predominantly black space that is based on the struggles against the Genocide of the Black People and the ancestral Afro-Brazilian poetics-epistemology-spirituality. This article is called meta-ethnography because it is an ethnography/self-ethnography carried out collectively since January 2016, setting forth its reports on the challenges and possibilities of this type of methodology from a diversity of points of view.
format Artículo
publishedVersion
author Raul, Jhenifer
Assis, Lucas
Ferreira, Matheus
Mendonça, Pedro
Yves, Raphaela
spellingShingle Raul, Jhenifer
Assis, Lucas
Ferreira, Matheus
Mendonça, Pedro
Yves, Raphaela
Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
author_facet Raul, Jhenifer
Assis, Lucas
Ferreira, Matheus
Mendonça, Pedro
Yves, Raphaela
author_sort Raul, Jhenifer
title Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
title_short Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
title_full Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
title_fullStr Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
title_full_unstemmed Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
title_sort perspectivist meta-ethnography: the diversity of experiences in a postgraduate participatory action research in ethnomusicology
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7479
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7479_oai
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spelling I28-R145-7479_oai2025-11-17 Raul, Jhenifer Assis, Lucas Ferreira, Matheus Mendonça, Pedro Yves, Raphaela 2018-08-01 This article aims to present the multiple points of view contained in the same Participatory Action Research carried out by the Research Group on Ethnomusicology Dona Ivone Lara, created within the scope of the doctoral research of the PPGM-UNIRIO student Pedro Mendonça. The group performs ethnographic work around and along with the Sarau Divergente, a street event which a sarau in Cinelândia, downtown Río de Janeiro, has been holding since 5 years ago, and which is managed primarily by professionals of the Carioca funk genre, but not limited to this musical genre. It is a predominantly black space that is based on the struggles against the Genocide of the Black People and the ancestral Afro-Brazilian poetics-epistemology-spirituality. This article is called meta-ethnography because it is an ethnography/self-ethnography carried out collectively since January 2016, setting forth its reports on the challenges and possibilities of this type of methodology from a diversity of points of view. El objetivo de este artículo es presentar los múltiples puntos de vista contenidos en una misma investigación-acción participativa, realizada por el Grupo de Investigación en Etnomusicologia Dona Ivone Lara (GPEDIL), que fue creado en el ámbito de la investigación doctoral en marcha de Pedro Mendonça. El grupo lleva a cabo trabajo etnográfico en torno y junto al Sarau Divergente, evento de calle que hace 5 años realiza un sarau en Cinelândia, centro de Río de Janeiro, gestionado mayoritariamente por profesionales del género funk carioca, aunque no se limita en este género musical. Se trata de un espacio mayoritariamente negro que tiene como base las luchas contra el Genocidio del Pueblo Negro y la poética-epistemología-espiritualidad afro-brasileña ancestral. Este artículo se auto denomina “meta-etnografía” por tratarse de una etnografía/auto-etnografía efectuada colectivamente, realizada desde enero de 2016, y porque dedica sus relatos a los desafíos y posibilidades que este tipo de metodología presenta, desde una diversidad de puntos de vista. Este artigo tem o objetivo de apresentar os múltiplos pontos de vista contidos em uma pesquisa-ação participativa realizada pelo Grupo de Pesquisa em Etnomusicologia Dona Ivone Lara (GPEDIL), criado no âmbito da investigação doutoral em andamento de Pedro Mendonça. O grupo realiza trabalho etnográfico em torno e junto ao Sarau Divergente, evento de rua que há cinco anos realiza um sarau na Cinelândia, gerido prioritariamente por profissionais do gênero funk carioca, mas não se esgotando nesse gênero musical. Um espaço majoritariamente negro que tem por base as lutas contra o genocídio do povo negro e a poética-epistemologia-espiritualidade afro-brasileira ancestral. Este artigo se autodenomina como metaetnografia por ter como foco uma etnografia/autoetnografia realizada coletivamente desde janeiro de 2016, pautando seus relatos sobre os desafios e possibilidades deste tipo de metodologia em uma diversidade de pontos de vista. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7479 por Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7479/6692 El oído pensante; Vol. 6 No. 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; Vol. 6 Núm. 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; v. 6 n. 2 (2018): Agosto 2018 - Enero 2019 2250-7116 Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology Meta-etnografía perspectivista: la diversidad de experiencias en una investigación-acción participativa de postgrado en etnomusicología Metaetnografia perspectivista: a diversidade de experiências em uma pesquisa-ação participativa de pós-graduação em etnomusicologia info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7479_oai

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