The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance

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Tango is a complex genre, with over a century of history, which accumulates around twenty five thousand phonograph recordings since about 1905. The literature on the subject is very extensive and varied. Hence, it is problematic, at a first glance, to discern what the most relevant texts for its stu...

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Autor principal: Brunelli, Omar García
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2015
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7463_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
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description Tango is a complex genre, with over a century of history, which accumulates around twenty five thousand phonograph recordings since about 1905. The literature on the subject is very extensive and varied. Hence, it is problematic, at a first glance, to discern what the most relevant texts for its study are. In this article I analyze the literature on the subject and propose a line of approach both thematically and bibliographically. First I consider the need to acquire an idea of the history of the genre; then I provide tools to facilitate selective hearing and musical analysis of such a vast corpus, and to smooth the process of understanding the lyrics and their importance. I also include some comments about the dance, which is one of the great attractions of the genre worldwide. To develop this brief access guide I propose, with a critical view, reading a selection of works dealing with music, lyrics and dance. I just mention those books and articles that contribute to the understanding of the topic from a musical point of view; those which can illuminate our musicological approach shedding light on the literary aspects; and some others that provide us with insights into the relationship between dance and music.
format Artículo
publishedVersion
author Brunelli, Omar García
spellingShingle Brunelli, Omar García
The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
author_facet Brunelli, Omar García
author_sort Brunelli, Omar García
title The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
title_short The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
title_full The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
title_fullStr The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
title_full_unstemmed The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance
title_sort studies of tango as observed from musicology. history, music, lyrics and dance
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2015
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7463_oai
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AT brunelliomargarcia losestudiossobretangoobservadosdesdelamusicologiahistoriamusicaletraybaile
AT brunelliomargarcia estudossobreotangoapartirdeumaperspectivamusicologicahistoriamusicaletraedanca
AT brunelliomargarcia studiesoftangoasobservedfrommusicologyhistorymusiclyricsanddance
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spelling I28-R145-7463_oai2025-11-17 Brunelli, Omar García 2015-08-01 Tango is a complex genre, with over a century of history, which accumulates around twenty five thousand phonograph recordings since about 1905. The literature on the subject is very extensive and varied. Hence, it is problematic, at a first glance, to discern what the most relevant texts for its study are. In this article I analyze the literature on the subject and propose a line of approach both thematically and bibliographically. First I consider the need to acquire an idea of the history of the genre; then I provide tools to facilitate selective hearing and musical analysis of such a vast corpus, and to smooth the process of understanding the lyrics and their importance. I also include some comments about the dance, which is one of the great attractions of the genre worldwide. To develop this brief access guide I propose, with a critical view, reading a selection of works dealing with music, lyrics and dance. I just mention those books and articles that contribute to the understanding of the topic from a musical point of view; those which can illuminate our musicological approach shedding light on the literary aspects; and some others that provide us with insights into the relationship between dance and music. El tango es un género complejo, con más de un siglo de historia, que acumula alrededor de veinticinco mil registros fonográficos desde aproximadamente 1905. La bibliografía sobre el tema es muy extensa y variada, por lo que resulta problemático, en una primera aproximación, discernir cuáles son los textos relevantes para su estudio. En este artículo analizo la literatura existente y propongo una forma de acceso tanto temática como bibliográfica. Considero en primer lugar la necesidad de adquirir una idea de la historia del género, luego proporciono herramientas para facilitar la audición selectiva y el análisis musical de un corpus extenso y para comprender el funcionamiento e importancia de las letras. Incluyo, además, algunos comentarios sobre el baile, que es uno de los grandes atractivos del género en todo el mundo. Para desarrollar esta breve guía de acceso propongo, con una visión crítica, la lectura de una selección de trabajos que estudian música, letra y baile. Entre la gran cantidad de ediciones, sólo menciono aquellas que aportan a la comprensión del tema desde la música, las que pueden iluminar nuestro análisis musicológico echando luz sobre los aspectos literarios, y algunos trabajos que nos proveen elementos para comprender la interrelación baile-música. O tango é um gênero complexo, com mais de um século de história, que se acumula em cerca de vinte e cinco mil gravações fonográficas, desde cerca de 1905. A literatura sobre o assunto é muito extensa e variada e por isso é problemático, numa primeira abordagem, distinguir quais os textos relevantes para o seu estudo. Neste artigo vou analisar a literatura existente e propor uma linha de abordagem tanto temática como bibliográfica. Vou considerar, em primeiro lugar, a necessidade de adquirir uma ideia da história do gênero para depois fornecer ferramentas para facilitar a audição seletiva e análise musical de um vasto corpus imprescindível para compreender o funcionamento e importância das letras. Incluo, também, alguns comentários sobre a dança, que é uma das grandes atrações do gênero em todo o mundo. Para desenvolver este breve guia de acesso proponho, a partir de uma visão crítica, a leitura de uma seleção de trabalhos que abordam a música, a letra e a dança. Entre a grande quantidade de publicações existentes, apenas menciono as que contribuem para a compreensão do tema a partir da perspectiva da música, as que podem iluminar a abordagem musicológica a partir de aspectos literários e alguns trabalhos que contribuem para a compreensão da relação entre a dança e a música. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463/6680 El oído pensante; Vol. 3 No. 2 (2015): Agosto 2015 - Enero 2016 El oído pensante; Vol. 3 Núm. 2 (2015): Agosto 2015 - Enero 2016 El oído pensante; v. 3 n. 2 (2015): Agosto 2015 - Enero 2016 2250-7116 The Studies of Tango as Observed from Musicology. History, Music, Lyrics and Dance Los estudios sobre tango observados desde la musicología. Historia, música, letra y baile Estudos sobre o tango a partir de uma perspectiva musicológica. História, música, letra e dança info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7463_oai

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