Studying Modern Music

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This paper departs from various arguments to stress clearly a point which has been treated only marginally in other works by its author. To put it shortly, a significant part of the arts produced during the 20th Century can be understood as an encounter between tradition and modernity, and it would...

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Autor principal: Machado de Barros, Frederico
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2014
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7446
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7446_oai
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spelling I28-R145-7446_oai2025-11-17 Machado de Barros, Frederico 2014-08-01 This paper departs from various arguments to stress clearly a point which has been treated only marginally in other works by its author. To put it shortly, a significant part of the arts produced during the 20th Century can be understood as an encounter between tradition and modernity, and it would be important to take it into consideration when studying modern music. At its limit, the paper proposes seeing some artists as neither traditionalists opposed to avant-garde nor avant-gardists opposed to tradition, but as people who look for traditions to give “weight” to their modern art. What varies most, in this perspective, is where this weight is to be found. Aiming at this, first we discuss this more general perspective on modern art, then some theoretical points are made and discussed in order to sustain some perspectives of research and, finally, the main problem is tackled. Este texto parte de ideas dispersas para aclarar un punto que no fue tratado sino lateralmente en otras obras de su autor, es decir, el argumento según el cual una parte considerable del arte producido durante el siglo XX puede ser entendido como un encuentro entre la tradición y la modernidad. Proponemos que sería importante tener esto en cuenta a la hora de estudiar la música moderna. En última instancia, se propone no ver a algunos artistas ni como tradicionalistas opuestos a la vanguardia, ni como vanguardistas opuestos a la tradición, sino como creadores modernos que buscan respaldo en tradiciones que sirvan de peso para su arte. A tal efecto, esta postura más amplia es discutida en primer lugar. A continuación, trabajamos puntos teóricos con el fin de apoyar algunas perspectivas de investigación y, por último, el problema principal es abordado frontalmente. O presente texto parte de argumentos dispersos para explicitar um ponto que foi tratado lateralmente em outras empreitadas de seu autor, a saber, aquele segundo o qual parcela considerável da arte produzida ao longo do século XX pode ser entendida como um encontro entre tradição e modernidade e que seria importante levar isso em consideração ao estudar a música moderna. No limite, propõe-se enxergar alguns artistas como não sendo nem tradicionalistas opostos à vanguarda, nem vanguardistas opostos à tradição, mas sim criando a partir de uma modernidade que busca lastro em tradições, variando onde esse lastro é encontrado. Com esta finalidade, primeiro é discutida esta postura mais geral, em seguida trabalham-se pontos teóricos e metodológicos propriamente ditos com vistas a amparar algumas perspectivas de pesquisa e, por fim, aborda-se o problema frontalmente. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7446 por Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7446/6660 El oído pensante; Vol. 2 No. 2 (2014): Agosto 2014 - Enero 2015 El oído pensante; Vol. 2 Núm. 2 (2014): Agosto 2014 - Enero 2015 El oído pensante; v. 2 n. 2 (2014): Agosto 2014 - Enero 2015 2250-7116 Studying Modern Music Estudiar la música modernista Estudar a música modernista info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7446_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Portugués
orig_language_str_mv por
description This paper departs from various arguments to stress clearly a point which has been treated only marginally in other works by its author. To put it shortly, a significant part of the arts produced during the 20th Century can be understood as an encounter between tradition and modernity, and it would be important to take it into consideration when studying modern music. At its limit, the paper proposes seeing some artists as neither traditionalists opposed to avant-garde nor avant-gardists opposed to tradition, but as people who look for traditions to give “weight” to their modern art. What varies most, in this perspective, is where this weight is to be found. Aiming at this, first we discuss this more general perspective on modern art, then some theoretical points are made and discussed in order to sustain some perspectives of research and, finally, the main problem is tackled.
format Artículo
publishedVersion
author Machado de Barros, Frederico
spellingShingle Machado de Barros, Frederico
Studying Modern Music
author_facet Machado de Barros, Frederico
author_sort Machado de Barros, Frederico
title Studying Modern Music
title_short Studying Modern Music
title_full Studying Modern Music
title_fullStr Studying Modern Music
title_full_unstemmed Studying Modern Music
title_sort studying modern music
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2014
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7446
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7446_oai
work_keys_str_mv AT machadodebarrosfrederico studyingmodernmusic
AT machadodebarrosfrederico estudiarlamusicamodernista
AT machadodebarrosfrederico estudaramusicamodernista
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