"Copi" (2017-2018, stage by Di Fonzo Bo) is burning
The following essay focuses on Marcial Di Fonzo Bo’s staging entitled "Copi" (2017-2018), presented at the Teatro Nacional Cervantes and conceived as a posthumous tribute to the author mentioned in the title. The texts that composed it (two complete works, "Eva Perón" and "E...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7252 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7252_oai |
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I28-R145-7252_oai2025-11-17 Lozano, Ezequiel 2019-11-01 The following essay focuses on Marcial Di Fonzo Bo’s staging entitled "Copi" (2017-2018), presented at the Teatro Nacional Cervantes and conceived as a posthumous tribute to the author mentioned in the title. The texts that composed it (two complete works, "Eva Perón" and "El homosexual o la dificultad de expresarse", together with other fragments of Copi’s varied creations as writer, perfomer and strip cartoonist) are studied here in order to reflect on this theatrical unit on the basis of a reading of images supported by conceptualizations of Georges Didi-Huberman. The article explores Copi’s links with the Creole archive, with the history of drag performances in the country, with the questioning of fixed identities and, also, with the history of Eva Perón, a textuality which was prohibited for many years in Argentina. El presente artículo se centra en la puesta en escena de Marcial Di Fonzo Bo titulada "Copi" (2017-2018), programada por el Teatro Nacional Cervantes como homenaje póstumo al autor mencionado en el título de la misma. Para indagar sobre la unidad teatral buscada por la puesta en su conjunto, desde una lectura de imágenes apoyada en conceptualizaciones de Georges Didi-Huberman, el artículo analiza los textos que la componen (dos obras completas, "Eva Perón" y "El homosexual o la dificultad de expresarse", junto a otros fragmentos de obras variadas del dramaturgo, historietista, escritor y performer). En ese camino, el artículo explora los vínculos de Copi con el archivo criollo, con la historia del transformismo en el país, con el cuestionamiento a las identidades sexo-genéricas fijas, así como con el historial de la textualidad prohibida durante tantos años en Argentina, Eva Perón. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7252 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7252/6506 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 30 (2019); 143-157 1669-6301 Copi gender image staging Di Fonzo Bo Copi género imagen puesta en escena Di Fonzo Bo "Copi" (2017-2018, stage by Di Fonzo Bo) is burning Arde "Copi" (2017-2018, dirección Di Fonzo Bo) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7252_oai |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
Copi gender image staging Di Fonzo Bo Copi género imagen puesta en escena Di Fonzo Bo |
| spellingShingle |
Copi gender image staging Di Fonzo Bo Copi género imagen puesta en escena Di Fonzo Bo Lozano, Ezequiel "Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| topic_facet |
Copi gender image staging Di Fonzo Bo Copi género imagen puesta en escena Di Fonzo Bo |
| description |
The following essay focuses on Marcial Di Fonzo Bo’s staging entitled "Copi" (2017-2018), presented at the Teatro Nacional Cervantes and conceived as a posthumous tribute to the author mentioned in the title. The texts that composed it (two complete works, "Eva Perón" and "El homosexual o la dificultad de expresarse", together with other fragments of Copi’s varied creations as writer, perfomer and strip cartoonist) are studied here in order to reflect on this theatrical unit on the basis of a reading of images supported by conceptualizations of Georges Didi-Huberman. The article explores Copi’s links with the Creole archive, with the history of drag performances in the country, with the questioning of fixed identities and, also, with the history of Eva Perón, a textuality which was prohibited for many years in Argentina. |
| format |
Artículo publishedVersion |
| author |
Lozano, Ezequiel |
| author_facet |
Lozano, Ezequiel |
| author_sort |
Lozano, Ezequiel |
| title |
"Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| title_short |
"Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| title_full |
"Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| title_fullStr |
"Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| title_full_unstemmed |
"Copi" (2017-2018, stage by Di Fonzo Bo) is burning |
| title_sort |
"copi" (2017-2018, stage by di fonzo bo) is burning |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7252 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7252_oai |
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AT lozanoezequiel copi20172018stagebydifonzoboisburning AT lozanoezequiel ardecopi20172018direcciondifonzobo |
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