Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority

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The question that moves the present essay is one about ethics. We base this study on the hypothesis that the founding of the School of Theater of the Universidad Nacional de Cuyo, under the direction of Galina Tolmacheva during the first half of the 1950s, establishes a normalizing process in the te...

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Autor principal: Sarale, Marina Laura
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
ethics
independent theatre
Stanislavski
Tolmacheva
Mendoza
ética
teatro independiente
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7248
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7248_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-7248_oai
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spelling I28-R145-7248_oai2025-11-17 Sarale, Marina Laura 2019-11-01 The question that moves the present essay is one about ethics. We base this study on the hypothesis that the founding of the School of Theater of the Universidad Nacional de Cuyo, under the direction of Galina Tolmacheva during the first half of the 1950s, establishes a normalizing process in the teaching of theater, with new ways of relation resulting in pedagogical methods for the good practice of the art, following the Russian acting schools. In this regard, we wish to problematize the notion of oneself as posed by Stanislavski in his Ethics and discipline (1944), through a series of translations to Spanish, in order to compare that notion with Tolmacheva’s (re)writing in her Ethics and creation in the actor: An essay on Stanislavski’s ethics (1953), where the understanding of oneself is an exercise of authority La pregunta que moviliza este trabajo es una pregunta por la ética. Partimos de la hipótesis de que la creación de la Escuela Superior de Teatro de la Universidad Nacional de Cuyo, bajo la dirección de Galina Tolmacheva durante la primera mitad de la década del 50, instaura un proceso normalizador en la enseñanza del teatro, que configura cuerpos y modos de relación que se cristalizan como métodos pedagógicos para la buena práctica del arte teatral, a la luz de las escuelas de actuación rusas. En tal sentido, proponemos problematizar la noción de sí mismo propuesta por Stanislavski en su Ética y disciplina (1944), a través de una serie de traducciones al español, para comparar dicha noción con la (re)escritura realizada por Tolmacheva en Ética y creación del actor. Un ensayo sobre la ética de Stanislavski (1953), en la cual advertimos la comprensión del sí mismo como ejercicio de la autoridad. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7248 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7248/6502 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 30 (2019); 91-103 1669-6301 ethics independent theatre Stanislavski Tolmacheva Mendoza ética teatro independiente Stanislavski Mendoza Tolmacheva Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority La ética en Galina Tolmacheva: el pasaje del “sí mismo” a la construcción de la autoridad info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7248_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic ethics
independent theatre
Stanislavski
Tolmacheva
Mendoza
ética
teatro independiente
Stanislavski
Mendoza
Tolmacheva
spellingShingle ethics
independent theatre
Stanislavski
Tolmacheva
Mendoza
ética
teatro independiente
Stanislavski
Mendoza
Tolmacheva
Sarale, Marina Laura
Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
topic_facet ethics
independent theatre
Stanislavski
Tolmacheva
Mendoza
ética
teatro independiente
Stanislavski
Mendoza
Tolmacheva
description The question that moves the present essay is one about ethics. We base this study on the hypothesis that the founding of the School of Theater of the Universidad Nacional de Cuyo, under the direction of Galina Tolmacheva during the first half of the 1950s, establishes a normalizing process in the teaching of theater, with new ways of relation resulting in pedagogical methods for the good practice of the art, following the Russian acting schools. In this regard, we wish to problematize the notion of oneself as posed by Stanislavski in his Ethics and discipline (1944), through a series of translations to Spanish, in order to compare that notion with Tolmacheva’s (re)writing in her Ethics and creation in the actor: An essay on Stanislavski’s ethics (1953), where the understanding of oneself is an exercise of authority
format Artículo
publishedVersion
author Sarale, Marina Laura
author_facet Sarale, Marina Laura
author_sort Sarale, Marina Laura
title Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
title_short Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
title_full Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
title_fullStr Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
title_full_unstemmed Ethics in Galina Tolmacheva: the Passage of “Oneself” to the Construction of Authority
title_sort ethics in galina tolmacheva: the passage of “oneself” to the construction of authority
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7248
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7248_oai
work_keys_str_mv AT saralemarinalaura ethicsingalinatolmachevathepassageofoneselftotheconstructionofauthority
AT saralemarinalaura laeticaengalinatolmachevaelpasajedelsimismoalaconstrucciondelaautoridad
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