Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"

Mostrar todas las versiones(2)

This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aes...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Ibarra Letelier, Javier Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7247_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
Descripción
Sumario:This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aesthetics of the performative. These authors’ writings provide contemporary aesthetical definitions that can be used as a support to analyse the work of theatre directors who combine the ‘conventional’ and the ‘performative’ in their mise-en-scène.

Ejemplares similares