Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"

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This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aes...

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Autor principal: Ibarra Letelier, Javier Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7247_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-7247_oai
record_format dspace
spelling I28-R145-7247_oai2025-11-17 Ibarra Letelier, Javier Ignacio 2019-11-01 This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aesthetics of the performative. These authors’ writings provide contemporary aesthetical definitions that can be used as a support to analyse the work of theatre directors who combine the ‘conventional’ and the ‘performative’ in their mise-en-scène. El presente artículo se centra en el campo de la dirección escénica contemporánea utilizando como estudio de caso la puesta en escena "Ricardo III" de Thomas Ostermeier, analizada desde la perspectiva teórica de los estudios realizados por Hans-Thies Lehmann y Erika Fischer-Lichte sobre el teatro posdramático y la estética de lo performativo. La teoría de estos autores se ha propuesto como soporte para considerar aspectos y definiciones estéticas contemporáneas que se puedan ajustar al trabajo de directores que combinan lo convencional con lo performativo. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247/6501 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 30 (2019); 71-90 1669-6301 theatre directing Classics post-dramatic Theatre aesthetics of the performative mixed pattern Ostermeier Ricardo III dirección escénica clásicos teatro posdramático estética performativa tendencia mixta Ostermeier Ricardo III Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III" Elementos performativos en la reposición de los clásicos a través de las puestas en escena tradicionales: el caso de "Ricardo III" de Thomas Ostermeier info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7247_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Ostermeier
Ricardo III
spellingShingle theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Ostermeier
Ricardo III
Ibarra Letelier, Javier Ignacio
Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
topic_facet theatre directing
Classics
post-dramatic Theatre
aesthetics of the performative
mixed pattern
Ostermeier
Ricardo III
dirección escénica
clásicos
teatro posdramático
estética performativa
tendencia mixta
Ostermeier
Ricardo III
description This essay focuses on the field of contemporary stage direction, presenting a case study of Thomas Ostermeier’s staging of "Richard III". Ostermeier’s work is approached following the theoretical perspectives of Hans-Thies Lehmann and Erika FischerLichte on postdramatic theatre and the aesthetics of the performative. These authors’ writings provide contemporary aesthetical definitions that can be used as a support to analyse the work of theatre directors who combine the ‘conventional’ and the ‘performative’ in their mise-en-scène.
format Artículo
publishedVersion
author Ibarra Letelier, Javier Ignacio
author_facet Ibarra Letelier, Javier Ignacio
author_sort Ibarra Letelier, Javier Ignacio
title Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
title_short Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
title_full Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
title_fullStr Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
title_full_unstemmed Performative Elements in the Contemporary Staging of Classics: the case of Thomas Ostermeier’s "Richard III"
title_sort performative elements in the contemporary staging of classics: the case of thomas ostermeier’s "richard iii"
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7247
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7247_oai
work_keys_str_mv AT ibarraletelierjavierignacio performativeelementsinthecontemporarystagingofclassicsthecaseofthomasostermeiersrichardiii
AT ibarraletelierjavierignacio elementosperformativosenlareposiciondelosclasicosatravesdelaspuestasenescenatradicionaleselcasodericardoiiidethomasostermeier
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