The song remains the same? On Social and Personalized Biographies of Songs

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Through a critical discussion of Adorno’s theory of musical fetishism, this paper, in accordance with the proposal of Arjun Appadurai for the study of objects, explores the possibility of developing methods for the analysis of meaning production through the consumption of music. To that end, the aut...

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Detalles Bibliográficos
Autor principal: Mendívil, Julio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2013
Materias:
fetichismo musical
producción de significado durante el consumo
biografía social y biografía personalizada de las canciones
historización de las canciones
produção de sinificado durante o consumo
fiografia social e biografia personalizada das canções
historização das canções
musical fetishism
production of meaning during consumption
social biography and personlized biography of songs
historicization of songs
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7075
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7075_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
Descripción
Sumario:Through a critical discussion of Adorno’s theory of musical fetishism, this paper, in accordance with the proposal of Arjun Appadurai for the study of objects, explores the possibility of developing methods for the analysis of meaning production through the consumption of music. To that end, the author proposes the concepts of “social biography” and “personalized biography” of songs as constructed entities resulting from the relationship between those entities and the social subjects who consume them.

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