The song remains the same? On Social and Personalized Biographies of Songs
Through a critical discussion of Adorno’s theory of musical fetishism, this paper, in accordance with the proposal of Arjun Appadurai for the study of objects, explores the possibility of developing methods for the analysis of meaning production through the consumption of music. To that end, the aut...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2013
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7075 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7075_oai |
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I28-R145-7075_oai2025-11-17 Mendívil, Julio 2013-08-05 Through a critical discussion of Adorno’s theory of musical fetishism, this paper, in accordance with the proposal of Arjun Appadurai for the study of objects, explores the possibility of developing methods for the analysis of meaning production through the consumption of music. To that end, the author proposes the concepts of “social biography” and “personalized biography” of songs as constructed entities resulting from the relationship between those entities and the social subjects who consume them. Al pasar revista desde una posición crítica a la teoría adorniana del fetichismo musical, el presente artículo, siguiendo la propuesta de Arjun Appadurai para el estudio de los objetos, explora la posibilidad de desarrollar métodos de análisis de la producción de significados durante la etapa del consumo musical. Para ello se propone las nociones de “biografía social” y “biografía personalizada” de las canciones como entidades construidas mediante una relación intertextual entre éstas y los sujetos sociales que las consumen. Ao rever com uma posição crítica a teoria adorniana do fetichismo musical, este artigo explora, de acordo com a proposta de Arjun Appadurai para o estudo dos objetos, a possibilidade de desenvolver métodos de análise da produção de significados durante a etapa de consumo musical. Para este fim, propõem-se as noções de “biografia social” e “biografia personalizada” das canções como entidades construídas mediante uma relação intertextual entre estas e os atores sociais que as consumem. application/octet-stream https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7075 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7075/6331 El oído pensante; Vol. 1 No. 2 (2013): Agosto 2013 - Enero 2014 El oído pensante; Vol. 1 Núm. 2 (2013): Agosto 2013 - Enero 2014 El oído pensante; v. 1 n. 2 (2013): Agosto 2013 - Enero 2014 2250-7116 fetichismo musical producción de significado durante el consumo biografía social y biografía personalizada de las canciones historización de las canciones fetichismo musical produção de sinificado durante o consumo fiografia social e biografia personalizada das canções historização das canções musical fetishism production of meaning during consumption social biography and personlized biography of songs historicization of songs The song remains the same? On Social and Personalized Biographies of Songs The song remains the same? Sobre las biografías sociales y personalizadas de las canciones1 The song remains the same? Sobre as biografias sociais e personalizadas das canções info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7075_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
fetichismo musical producción de significado durante el consumo biografía social y biografía personalizada de las canciones historización de las canciones fetichismo musical produção de sinificado durante o consumo fiografia social e biografia personalizada das canções historização das canções musical fetishism production of meaning during consumption social biography and personlized biography of songs historicization of songs |
| spellingShingle |
fetichismo musical producción de significado durante el consumo biografía social y biografía personalizada de las canciones historización de las canciones fetichismo musical produção de sinificado durante o consumo fiografia social e biografia personalizada das canções historização das canções musical fetishism production of meaning during consumption social biography and personlized biography of songs historicization of songs Mendívil, Julio The song remains the same? On Social and Personalized Biographies of Songs |
| topic_facet |
fetichismo musical producción de significado durante el consumo biografía social y biografía personalizada de las canciones historización de las canciones fetichismo musical produção de sinificado durante o consumo fiografia social e biografia personalizada das canções historização das canções musical fetishism production of meaning during consumption social biography and personlized biography of songs historicization of songs |
| description |
Through a critical discussion of Adorno’s theory of musical fetishism, this paper, in accordance with the proposal of Arjun Appadurai for the study of objects, explores the possibility of developing methods for the analysis of meaning production through the consumption of music. To that end, the author proposes the concepts of “social biography” and “personalized biography” of songs as constructed entities resulting from the relationship between those entities and the social subjects who consume them. |
| format |
Artículo publishedVersion |
| author |
Mendívil, Julio |
| author_facet |
Mendívil, Julio |
| author_sort |
Mendívil, Julio |
| title |
The song remains the same? On Social and Personalized Biographies of Songs |
| title_short |
The song remains the same? On Social and Personalized Biographies of Songs |
| title_full |
The song remains the same? On Social and Personalized Biographies of Songs |
| title_fullStr |
The song remains the same? On Social and Personalized Biographies of Songs |
| title_full_unstemmed |
The song remains the same? On Social and Personalized Biographies of Songs |
| title_sort |
song remains the same? on social and personalized biographies of songs |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2013 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7075 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7075_oai |
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AT mendiviljulio thesongremainsthesameonsocialandpersonalizedbiographiesofsongs AT mendiviljulio thesongremainsthesamesobrelasbiografiassocialesypersonalizadasdelascanciones1 AT mendiviljulio thesongremainsthesamesobreasbiografiassociaisepersonalizadasdascancoes AT mendiviljulio songremainsthesameonsocialandpersonalizedbiographiesofsongs |
| _version_ |
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